This post has kindly been written for us by Dr Philip Carter of the Oxford Dictionary of National Biography.
For 135 years the Dictionary of National Biography has been the national record of noteworthy men and women who’ve shaped the British past. Today’s Dictionary retains many attributes of its Victorian predecessor, not least a focus on concise and balanced accounts of individuals from all walks of national history. But there have also been changes in how these life stories are encapsulated and conveyed.
In its Victorian incarnation the Dictionary presented each life as a double-column printed text. 2004 saw the publication of the online Oxford Dictionary of National Biography (ODNB) with the addition of portrait images. Today the Dictionary includes portraits of 11,500 of its 60,000 subjects. Every image is a depiction of the sitter from life, so as to convey an aspect of his or her personality.
Now the Oxford DNB is moving on—this time with the inclusion of sound—in a project to link biographies to voice recordings made by an initial selection of 750 historical individuals. The earliest clips—including the suffrage campaigner Christabel Pankhurst and the Liberal prime minister, Herbert Asquith – are held in the ‘Early Spoken Word’ archive at the British Library.
As the crackling on these wax cylinders makes clear, this was a pioneering form of communication reserved for periods of political drama. Speaking in December 1908, Christabel Pankhurst issued a rallying call to every ‘patriotic and public spirited woman’ to take up ‘militant’ tactics in the hope that ‘1909 must, and shall, see the political enfranchisement of women.’ In his speech on the 1909 ‘people’s budget’ Herbert Asquith acknowledged the intersection of technological novelty and looming political crisis: ‘I have gladly accepted this invitation to speak to you in this unusual manner to reach as many of my fellow countrymen as possible’.
Two decades later the availability of ‘wireless’ instilled a new pioneering spirit. It’s captured in George V’s opening words to the first Christmas message of 1932: ‘Through one of the marvels of modern science, I am enabled … to speak to all my people throughout the Empire’.
Other British Library clips reveal how voice recordings took on new formats in the 1930s: the personal travel documentary by Amy Johnson; chef Marcel Boulestin’s guide to perfect omelettes (‘practice, quickness, a thick iron pan and a good fire’); and the celebrity interview with Arthur Conan Doyle (‘how I came to write Sherlock Holmes’).
This ability to catch a person’s accent, and indeed to hear a person speak, is the principal attraction of linking ODNB biographies to sound recordings. Hearing the voice reminds us that a distant historical figure was a living person as well as the subject of a biographical text. Listening to voices recorded more than a century ago conjures up something of the ‘marvels’ and delight alluded to by George V.
The effect is particularly striking in the Oxford DNB’s earliest link to the British Library sound archive—that for Florence Nightingale who spoke in support of the Light Brigade Relief Fund in July 1890. Barely audible over the hiss, she concludes her short, carefully enunciated message: ‘When I am no longer even a memory, just a name, I hope my voice may perpetuate the great work of my life. God bless my dear old comrades of Balaclava and bring them safe to shore. Florence Nightingale’.
Philip Carter is the Oxford DNB’s Senior Research and Publication Editor and a member of the History Faculty at Oxford University.
Find more on the ODNB’s Sounds project, together with a list of all 750 archive recordings. Coming updates will link ODNB biographies to digitized collections of manuscripts, creative works by artists, funeral memorials, and further voice recordings—in partnerships with the British Library, Poetry Archive, Royal Collection, and Westminster Abbey among others.