This collection of political ephemera, built up by Heisler over the last 50 years and still being added to by regular deposits of pamphlet-stuffed plastic bags, currently consists of approximately 25,000 books, 20,000 pamphlets, 3,000 journal and newspaper titles and a quantity of ephemera, published by or relating to labour and radical political movements, and to political expression in art, drama and literature.
The collection is particularly strong for Britain and Ireland, and includes items published by radical groups, friendly societies and the Chartists from the late-18th to the 20th centuries, and many publications of Trotskyist groups, the Independent Labour Party and the Communist Party from the early to mid-20th century. From the 1960s and 1970s, the holdings of New Left material are very extensive, and there are some uncommon publications from the women’s movement. The collection further covers Africa, particularly South Africa; Australia, Canada, New Zealand, the United States and the West Indies; France, Germany, Italy and Spain (notably the Spanish Civil War); and the former Soviet Union. A substantial proportion of material in the collection was published in very small quantities, and some is scarce.
In order to promote the collection, the cataloguing of which is still ongoing, a selection of the most striking pamphlet covers have been digitised, and made available on a new web resource produced by the IHR Digital team (http://www.history.ac.uk/exhibitions/heislercollection/). Where possible contextual information about the pamphlets, and the issues they cover, has been provided.
The resource aims to give an example of the treasure trove of material that lies within the collection, to illustrate how ephemera can perform as unique type of historical source material, and to act as an introduction to the wider Senate House Library Radical Voices project. Over the next year, under the Radical Voices umbrella, SHL plans to produce a series of events and resources centring around its various collections in this area – including the Grote library, the books and papers of pacifist Caroline Playne, the archive of Afro-Trinidadian journalist, activist and historian C. L. R. James, the Booth library, and many more – as well as drawing in other similar collections from across London.
Anyone interested in finding out more about this resource, or the Heisler collection, can contact email@example.com.
We start with Noel Thompson’s Social Opulence and Private Restraint: the Consumer in British Socialist Thought Since 1800, as Jamie Melrose and the author debate a survey of the Left’s attitude to the worker-consumer in the heyday and beyond of British industrial society (no. 1919, with response here).
Next up we have a review article on The Other Mrs Adams, as Todd Webb reviews five biographies of Louisa Catherine Adams (no. 1918).
Then we turn to Challenging Orthodoxies: The Social and Cultural Worlds of Early Modern Women: Essays Presented to Hilda L. Smith, edited by Sigrun Haude and Melinda Zook, which Charmian Mansell praises as an important book that both celebrates and builds upon the work of Hilda Smith (no. 1917).
Finally Peter Grant and editors Maggie Andrews and Janis Lomas discuss The Home Front in Britain: Images, Myths and Forgotten Experiences since 1914, a wide-ranging survey which challenges some of the misconceptions we hold about the two home fronts (no. 1916, with response here).
We begin this week with The Oxford History of Poland-Lithuania. Volume 1: The Making of the Polish-Lithuanian Union, 1385-1569 by Robert Frost. Paul Knoll and the author debate an outstanding contribution to the history of east central Europe (no. 1915, with response here).
Then we turn to Jessica Lepler’s The Many Panics of 1837: People, Politics, and the Creation of a Transatlantic Financial Crisis, and Joanna Cohen praises a book which utilises a new approach to the history of capitalism, interrogating economic concepts as cultural and linguistic constructions (no. 1914).
Next up is Weeping Britannia: Portrait of a Nation in Tears by Thomas Dixon. Hannah Rose Woods and the author discuss a book which sets out to dispel the ‘persistent myth’ of Britain as a nation of emotionally repressed stoics (no. 1913, with response here).
Finally Pip Gregory reviews Humor, Entertainment, and Popular Culture during World War I, edited by Clémentine Tholas-Disset and Karen A. Ritzenhoff, which she finds a thoroughly enjoyable book offering insight and interest for cultural historians of the Great War the world over (no. 1912).
Although Samuel Foote and Ira Aldridge may seem an improbable pairing, both have featured in recent plays on the London stage. Foote, an eighteenth-century actor and playwright, is portrayed in Mr Foote’s Other Leg, played by Simon Russell Beale, while Ira Aldridge, the nineteenth-century African-American actor, appears in Red Velvet played by Adrian Lester.
Scene from Taste in a painting by Robert Smirke. Lady Pentweazel, played by Foote.
Both had dramatic lives to equal any play. Strangely, both performed Othello, Foote in 1744 to “universal applause” (although the run itself was ultimately unsuccessful), while 90 years later Aldridge made his West End debut in the same play to a favourable audience response but hostile press reaction. Foote went on to develop his own acting company and penned his own satires mocking the society of the day, fellow actors and the craze for auctions and the arts and antiquities market. His satirical and, not so subtle, attacks on society were to end in trouble when he crossed swords with Elizabeth Chudleigh, duchess of Kingston, during her trial for bigamy. The play, Mr Foote’s Other Leg, is an ironic reference to the loss of a leg after a horse riding accident. Undeterred, Foote continued to act and used two wooden legs; one a simple leg, the other decorated with a silk stocking and buckled shoe (for use on stage). Published rumours of homosexuality, followed by a charge from one of his servants in similar vein, wrecked his spirit. Though cleared of all charges he was to die soon after.
Ira Aldridge as Aaron in Shakespeare’s Titus Andronicus.
Aldridge, born in New York City, moved to England in 1824, and in the following year he made his stage debut in The Revolt of Surinam, or, A Slave’s Revenge, playing Oronooko. After the failure of his 1833 Othello he toured much of Europe, returning to Britain to a much more respectful press. He died in Poland, while on tour, in 1867.
Both actors are represented in BBIH, coincidently with 16 references each. Using the Person as subjectserach.
Despite the danger of becoming a mere plugger for the London theatre scene, I can’t help but note that a play about the life of actress and royal mistress, Nell Gwynn, is also appearing on the London stage, so it may be that another post on actresses in the British theatre beckons.
We begin with Churchill on the Far East in the Second World War: Hiding the History of the ‘Special Relationship’ by Cat Wilson, which Chandar Sundaram believes to be an excellent treatment of Churchill’s historical sleight of hand (no. 1911, with response here).
Then we turn to Irene Morra’s Britishness, Popular Music and National Identity: the Making of Modern Britain. Paul Martin believes anyone with an interest in popular music and culture or the mores of identity should find this a rewarding and convincing read (no. 1910).
Next up is Shakhar Rahav’s The Rise of Political Intellectuals in Modern China: May Fourth Societies and the Roots of Mass-Party Politics, as Chris Courtney and the author debate a thought provoking and original analysis, a valuable addition to both Chinese and intellectual history (no. 1909, with response here).
Finally we have Addressing America: George Washington’s Farewell and the Making of National Culture, Politics, and Diplomacy, 1796-1852 by Jeffrey J. Malanson. Steve Tuffnell and the author discuss a volume which will be vital reading for those interested in American conceptions of their republic’s role in international affairs (no. 1908, with response here).
We begin this week with Russia in the Microphone Age: A History of Soviet Radio, 1919-1970 by Stephen Lovell, as Allan Jones and the author debate an engrossing history of Soviet broadcasting (no. 1907, with response here).
Next up is Angela Woollacott’s Settler Society in the Australian Colonies: Self-Government and Imperial Culture. Bernard Attard and the author discuss a stimulating and thought-provoking study of the nature and dynamics of settler colonialism (no. 1906, with response here).
Then we turn to Germany 1916-23: A Revolution in Context, edited by Klaus Weinhauer, Anthony McElligott and Kirsten Heinsohn. Alex Burkhardt believes the editors have fulfilled their brief to provide an impetus for new ‘cultural-historical’ directions in research on the German Revolution (no. 1905).
Finally we have E. R. Truitt’s Medieval Robots: Mechanism, Magic, Nature, and Art, which Stefano Gulizia praises as an evocative book, the first survey of its kind in the English-speaking academic world (no. 1904).
We start this week with Miles Taylor’s long-anticipated review of Artist and Empire: Facing Britain’s Imperial Past, as he praises a thought-provoking exhibition (running until 10 April), one of the best historically-themed shows that Tate Britain has done for some years (no. 1903).
Next up is Anglican Enlightenment: Orientalism, Religion and Politics in England and its Empire, 1648–1715 by William Bulman. David Magliocco and the author discuss one of the most important interventions in late 17th–century studies in the last decade (no. 1902, with response here).
Next up is David French’s Fighting EOKA: The British Counter-Insurgency Campaign on Cyprus, 1955-1959. Andrekos Varnava reviews an engaging, thorough and, thankfully, not overly long read (no. 1901).
Finally, we have The Guardians: The League of Nations and the Crisis of Empire by Susan Pedersen, and Peter Yearwood recommends a book written with clarity and precision, and featuring compelling themes and illuminating detail (no. 1900).
We begin with A Concise History of International Finance: From Babylon to Bernanke by Larry Neal, as Andrew Mcdiarmid reviews an engaging narrative that charts the evolution of finance from the personal to the impersonal (no. 1899).
Then we turn to Adam Chapman’s Welsh Soldiers in the Later Middle Ages. Christopher Allmand and the author discuss a book which transcends the geographical limits implied in its title (no. 1898, with response here).
Next up is Amy Prendergast’s Literary Salons Across Britain and Ireland in the Long Eighteenth Century, with Rachel Wilson enjoying a thought-provoking read, whose comparative approach gives it an edge and a freshness (no. 1897).
Finally Mick Worboys recommends a book which offers fascinating and novel insights into domestic life as he reviews Salmonella Infections, Networks of Knowledge and Public Health in Britain, 1880-1975 by Anne Hardy (no. 1896).
We kick off this week with the History of the Labour Party by Andrew Thorpe, as Christopher Massey and the author discuss the most up-to-date study on the 115-year lifetime of the Labour Party (no. 1895, with response here).
Then we have a review of the digital resource Europeana Newspapers. Bob Nicholson and editor Clemens Neudecker discuss this flawed but fantastic tool (no. 1894, with response here).
Next up is Accounting for Oneself: Worth, Status, and the Social Order in Early Modern England by Alexandra Shepard. Mark Hailwood is impressed by a book which grasps the nettle of thinking about the kind of processes of macro-historical change that historians have largely shied away from in the past two decades (no. 1893).
Following this there is Long Emancipation: The Demise of Slavery in the United States by Ira Berlin. William Skidmore believes this book provides a provocative and powerful framework that scholars will use to rewrite the history of American slavery’s demise (no. 1892).
Finally we have George Molyneux’s response to Nicole Marafioti’s review from last week of Formation of the English kingdom in the 10th century (no. 1890).
New Historical Perspectives will seek to publish works produced by early career scholars, and senior scholars who are collaborating with early career scholars. The new series will be defined by mentoring, extensive editing and support for contributors to the series through editorial panels and monograph workshops, ensuring high standards of peer-reviewed scholarship.
As a joint venture, the series will be published by the IHR and the RHS will provide editorial management and expertise. Books will be published in free digital formats and available for print purchase.
The RHS currently seeks a series Convenor to work closely with the series Board, authors and editors to provide mentoring and feedback.
More information regarding New Historical Perspectives and the opening date for submissions will be released shortly.
As the first publishing partnership of our rapidly developing open access initiative, the IHR and RHS share a vision of utilising open access as a means to disseminate high quality research which fulfils the needs of scholars and is accessible to as wide a readership as possible.