October’s update includes an entry on the artist Tirzah Garwood (1908-1951), who was married to Eric Ravilious, who becomes the 60,000th person to be added to Dictionary.
The October update also adds 35 biographies of early nineteenth-century slave-owners, who were recipients of compensation from the Commissioners of Slave Compensation after the passing of the Abolition Act in 1833. These biographies have been researched and written in collaboration with the new Centre for the Study of the Legacies of British Slave-ownership at University College London.
New figures include John Stewart (1789-1860), a slave owner in Berbice, who was probably of African descent. As an MP, Stewart represented the concerns of the West India interest while establishing business interests in the City of London: he is thought to have been the first MP of black or mixed race.
The October update also adds 40 biographies of men and women associated with the city of Hull, which is UK City of Culture, 2017. Among those now added to the Dictionary are Ethel Leginska (1886-1970)—who was born in Hull, and became a noted composer and the first woman to conduct some of the world’s leading orchestras—and Jean Hartley (1933-2011) who published The Less Deceived—the first volume of poems by Philip Larkin, following the poet’s arrival in Hull.
October’s update also adds 2500 new links from ODNB entries to externalresources, offering additional biographical information. These include:
2000 gallery pages in Art UK, allowing readers to view art works in public collections by artists with entries in the ODNB.
Highlights from the new edition are available here. The Oxford DNB is the national record of 60,000 men and women who’ve shaped all walks of British life, worldwide, from the Roman occupation to the 21st century.
An update to the Bibliography of British and Irish History was published on 30 September. There are 4,962 new records, some 633 new records relate to Irish history while 240 deal with the history of London, 324 with the history of Scotland and 262 with the history of Wales. The overall total of records available online is now 579,638.
We are pleased to welcome a new section editor to our editorial team, Dr Colin Veach Lecturer in Medieval History at the University of Hull, who will be dealing with Irish history to c. 1640. He succeeds Dr Beth Hartland, for whose expert help over the last few years we are very grateful.
We also welcome Dr Adam Chapman, Editor and Training Co-ordinator with the Victoria County History based at the IHR, who will be dealing with England 1066-1500.
We expect to release the next update in February 2017. You can always find out more about the Bibliography at http://www.history.ac.uk/projects/bbih or, if you already have access to the Bibliography, you can sign up for email alerts so as to be notified each time the Bibliography is updated with records on a subject or subjects of your choice.
You can’t help avoiding Shakespeare and the celebrations for the 400th anniversary of his death, especially when entering Senate House and its ceremonial staircase. Each morning I am greeted by the playwright’s staring eyes and, each morning, I think I ought to write a post. So here goes.
Knowing I loved my books, he furnished me / From mine own library with volumes that / I prize above my dukedom.
Senate House Shakespeare celebration
Shakespeare has 1860 references on BBIH, surpassing Elizabeth I (1158 references), Winston Churchill (1273) and Geoffrey Chaucer (650). But, as I alluded to in my title, there is more to Shakespeare than drama.
A Person as subject search for “Shakespeare, William, 1564-1616” brings up the aforementioned 1860 references. However if I add in Subject tree “Representations of politics” there are over 200 references.
There were undercurrents of discontent amidst the public rejoicing which met the marriage of the future William III and Mary II in November 1677. This article examines the nature of those public misgivings and assesses how Stuart and Orange propaganda responded to the ensuing doubts and anxieties. Through detailed analysis of public festivities, medals and prints, it explores the development of complex images which endorsed the policies and personalities of husband and wife. Ultimately, these hitherto neglected representations of William and Mary were both persuasive and influential, providing the foundations for their regal portrayal, following the 1688 revolution.
This article examines the reform of the penitential system during the reign of Henry VIII. It considers the call to reform, and analyses official statements from the Ten Articles (1536) to the King’s Book (1543), which is usually regarded as a victory for traditional religion. A careful assessment of the section of the King’s Book on the sacrament of penance, and of the King’s Primer, reveals that in this area evangelical reformers made gains. It shows Cranmer influencing Henry’s religious policy, and as such challenges George Bernard’s position. The article therefore argues for the major significance of penitential reform in the English Reformation.
This article investigates the discussion of the origins and development of religious belief within the Scottish jurist and philosopher Henry Home, Lord Kames’s Essays on the Principles of Morality and Natural Religion (1751). Kames’s work is argued to be a significant yet understudied contribution to the Scottish Enlightenment’s examination of religion as a human phenomenon. The Principles contained one of the lengthiest analyses on the topic published by a Scottish literatus. In particular, Kames placed into a historical trajectory the internal sense theory’s account of the non-rational origins of religious belief. In doing so, he provided an apologetic account of the progress from polytheism to monotheism resulting from the emergence of civil society, which set the tone for later Scottish discussions of religion.
On 4 July, a group of 24 Friends of the IHR and interested members of the public gathered for a guided tour of the Tower of London. Every summer the Friends organise a visit to some place of historical interest and this year proved an exceptional outing. Once assembled at the Middle Drawbridge, the party split into two groups, for simultaneous tours, and off we went.
Starting with Dr Alden Gregory at the helm, my group went first to the Queen’s House, nestled in the southwest corner of the Tower grounds. Dr Gregory, a Buildings Curator with Historic Royal Palaces, began by dispelling the myth, perpetuated by the Beefeaters, that the house was a wedding present built for Anne Boleyn. Dendrochronology suggests the house was built around 1539-40, after her death, and we know instead that it served as the lodging for the Lieutenant of the Tower. Today, it is the private residence of the Constable of the Tower of London. After noting the restoration work to the timber framing and casement windows to revive the original, pre-Great Fire Tudor appearance, we ventured inside and into the Bell Tower. This empty stone chamber was once adjacent to the Thames, and the cell of Sir Thomas More.
We then made our way upstairs to the Great Hall. The room was originally twice as high until a mid-level floor was installed in 1607, and the excessively timbered ceiling was only rediscovered and revealed in the 1960s during repairs to a water leak. The most impressive features, however, are a large wall monument and a portrait bust of King James VI. Not just a hall for eating and entertaining, the space also served as an interrogation room for notable prisoners (though the torture took place elsewhere).
The Great Hall and wall monument in the Queen’s House
Most famously, Guy Fawkes and his co-conspirators were questioned here; the red, white, and black marble and alabaster wall memorial is fixed as a testament to the triumph of the inquisitors and condemnation of the accused. It dates to 9 October 1608, making it perhaps the oldest commemorative interior plaque of its kind. To its right, the bust of the king served to intimidate prisoners as they entered the hall and to represent the royal presence during interrogations.
Heading outside, the groups re-assembled, swapped tour guides, and Dr Jane Spooner, also a Buildings Curator, led our half of the party to the Byward Tower. Situated on the interior side of the main visitor entrance bridge, this thirteenth century fortification was a principal point for defence of the Tower. As with the Queen’s House, this area is normally closed to the public, and there was something very exclusive and satisfying about shutting the door behind us as we ascended the spiral stairs. At the top, Dr Spooner explained that in the mid-fourteenth century the space would have housed the King’s Exchange, part of the Royal Mint. The fine appointments that decorate the room—red striping on the stone walls, a large fireplace, and a tiled pavement—were befitting of this distinguished occupant.
Wall painting in the Byward Tower
Crossing the hall, past the wooden mechanism of the inner portcullis, we entered a slightly larger, timber-framed room, resplendent with a fourteenth century wall painting. The scene is brought to life with an array of expensive green, red, and blue pigments and gold leaf. It depicts on one side St John the Baptist and the Virgin Mary, and on the other St John the Evangelist and the archangel Michael, holding the scales weighing Christ’s soul in judgement. The figure of Christ on the cross, originally over the mantelpiece, was replaced with a Tudor rose in the sixteenth century when a new fireplace was installed. An imposing beam running the length of the room bears more green and gold painting, of birds, lions, and fleurs-de-lis. There is evidence that paintings of angels once existed on the north wall, as late as the 1950s, but almost no trace now survives.
The groups came back together a final time for some refreshments in the Great Hall of the Queen’s House. What a marvellous treat to sit where Guy Fawkes may have sat, though thankfully with some lovely tea and scones instead of an inquisitorial squad. There was just enough time left in the day to make a quick visit of the armouries or the crown jewels. The outing was a great success for all, and a particularly splendid introduction for those who had never been to the Tower, like yours truly.
British History Online might not be the first place you’d think to look when researching Shakespeare, but London and the early modern period are two of the great strengths in BHO’s collection. We have an abundance of materials that provide excellent context for Shakespeare’s life and his writing. What was London like when Shakespeare lived there? How has Shakespeare shaped the London of today? What about Shakespeare and places across the rest of the country?
Senate House Library recently hosted a Shakespeare and place Wikipedia workshop, which prompted me to compile the following list of relevant BHO resources. It’s by no means an exhaustive list, but hopefully a useful starting point.
John Stow’s Survey of London: Although John Stow famously does not mention any theatres or playwrights in his Survey of London, the Survey is a contemporary account of London, which makes it an invaluable resource for understanding the city where Shakespeare lived. The first edition of the Survey was published in 1598, with a second and much-modified edition published in 1603. The version of the text that is on BHO is a 1908 edition of this 1603 text, edited by C L Kingsford. In his Survey, Stow ‘walks’ through the City of London, parish by parish.
Survey of London: Not to be confused with its early modern namesake above, this project began in the late nineteenth century and continues today. It provides detailed architectural and topographical studies of the capital’s built environment. Volume 22 covers Bankside, including the playhouses.
Victoria County History: This project also began in the nineteenth century and continues to this day. It is an encyclopaedic record of England’s places and people from earliest times to the present day. Particular series that contain useful information about Shakespeare are the History of Middlesex and the History of Warwickshire.
Agas Map of London: The woodcut map of London, usually called the Agas map, represents London in the 1560s—slightly earlier than Shakespeare was in London, but it is a wonderful resource to get a sense of what the city was like in the 16th century.
Old and New London: This nineteenth-century account of the history of London is chock-full of useful—and sometimes imaginative—descriptions of famous Shakespearean sites. Volume 6 covers Southwark and the Globe.
Feet of Fines, London and Middlesex: Feet of fines are court copies of agreements following disputes over property. The disputes were mostly fictitious and were simply a way of having the transfer of ownership of land recorded officially by the king’s court. The records in this series relate to London and Middlesex for the period 1189-1570.
May’s update provides a special focus on eighteenth and nineteenth-century women entrepreneurs and industrialists. New additions include the Bristol inventor, Sarah Guppy (1770-1852), whose many patents include a suspension bridge crossing the River Avon—years before Telford and Brunel; the Derbyshire colliery owner Ellen Morewood (1741-1824), and the domestic servant and autobiographer, Mary Ann Ashford (1787-1870).
Early modern religious biographies include Anne Hooper (d. 1555), one of the earliest wives of a bishop in the post-Reformation period. Hooper’s letters chart a period of intense religious and personal uncertainty.
The earliest new addition is Racton Man (fl. c.2200 BP), the skeleton of a Bronze Age warrior at The Novium Museum, Chichester, whose ‘biography’—based on forensic science—can now be written. May’s update also includes two pioneers of tattooing: George Burchett (1872-1953) and Sutherland Macdonald (1860-1942). Macdonald coined the term ‘tattooist’ (‘tattoo’ + ‘artist’) to better convey the artistry of his work, and both men numbered members of the aristocracy and royalty among their clients.
The new edition also extends the ODNB’s coverage of historical groups and networks. Essays include the members, works, and legacy of the Pre-Raphaelite Brotherhood; the Erasmus Circle of scholars who championed the great Dutch humanist from the early 1500s; and participants in the Northern Rising (1559-70). Essays on more than 320 historical groups—early medieval to late modern—are now available in the ‘Themes’ area of the Oxford DNB online.
Finally, 4000 new links have been added from ODNB entries to online resources providing alternative perspectives on an individual. These include links to 850 English Heritage Blue Plaques, 650 monuments in Westminster Abbey, 200 person records in Queen Victoria’s Journals, 200 Poetry Archive and BBC recordings, and 2500 correspondence records created by the Oxford history project, ‘Early Modern Letters Online’.
Entries are invited for this year’s Pollard Prize (sponsored by Wiley-Blackwell Publishing Ltd.) awarded for the best paper presented at an IHR seminar 2015-16 by a postgraduate student or by a researcher within one year of completing the PhD.
Fast track publication in the prestigious IHR journal, Historical Research, and £200 of Blackwell books.
Runner up prizes
Publication in Historical Research, and a selection of Blackwell books.
Applicants are required to have delivered a paper during the academic year in which the award is made. Submissions should be supported by a reference from a convenor of the appropriate seminar. Papers should be fully footnoted, although it is not necessary at this stage to follow Historical Research house style. All papers submitted must be eligible for publication.
This post has kindly been written for us by Dr Philip Carter of the Oxford Dictionary of National Biography.
For 135 years the Dictionary of National Biography has been the national record of noteworthy men and women who’ve shaped the British past. Today’s Dictionary retains many attributes of its Victorian predecessor, not least a focus on concise and balanced accounts of individuals from all walks of national history. But there have also been changes in how these life stories are encapsulated and conveyed.
In its Victorian incarnation the Dictionary presented each life as a double-column printed text. 2004 saw the publication of the online Oxford Dictionary of National Biography (ODNB) with the addition of portrait images. Today the Dictionary includes portraits of 11,500 of its 60,000 subjects. Every image is a depiction of the sitter from life, so as to convey an aspect of his or her personality.
Now the Oxford DNB is moving on—this time with the inclusion of sound—in a project to link biographies to voice recordings made by an initial selection of 750 historical individuals. The earliest clips—including the suffrage campaigner Christabel Pankhurst and the Liberal prime minister, Herbert Asquith – are held in the ‘Early Spoken Word’ archive at the British Library.
As the crackling on these wax cylinders makes clear, this was a pioneering form of communication reserved for periods of political drama. Speaking in December 1908, Christabel Pankhurst issued a rallying call to every ‘patriotic and public spirited woman’ to take up ‘militant’ tactics in the hope that ‘1909 must, and shall, see the political enfranchisement of women.’ In his speech on the 1909 ‘people’s budget’ Herbert Asquith acknowledged the intersection of technological novelty and looming political crisis: ‘I have gladly accepted this invitation to speak to you in this unusual manner to reach as many of my fellow countrymen as possible’.
Two decades later the availability of ‘wireless’ instilled a new pioneering spirit. It’s captured in George V’s opening words to the first Christmas message of 1932: ‘Through one of the marvels of modern science, I am enabled … to speak to all my people throughout the Empire’.
Other British Library clips reveal how voice recordings took on new formats in the 1930s: the personal travel documentary by Amy Johnson; chef Marcel Boulestin’s guide to perfect omelettes (‘practice, quickness, a thick iron pan and a good fire’); and the celebrity interview with Arthur Conan Doyle (‘how I came to write Sherlock Holmes’).
This ability to catch a person’s accent, and indeed to hear a person speak, is the principal attraction of linking ODNB biographies to sound recordings. Hearing the voice reminds us that a distant historical figure was a living person as well as the subject of a biographical text. Listening to voices recorded more than a century ago conjures up something of the ‘marvels’ and delight alluded to by George V.
The effect is particularly striking in the Oxford DNB’s earliest link to the British Library sound archive—that for Florence Nightingale who spoke in support of the Light Brigade Relief Fund in July 1890. Barely audible over the hiss, she concludes her short, carefully enunciated message: ‘When I am no longer even a memory, just a name, I hope my voice may perpetuate the great work of my life. God bless my dear old comrades of Balaclava and bring them safe to shore. Florence Nightingale’.
Philip Carter is the Oxford DNB’s Senior Research and Publication Editor and a member of the History Faculty at Oxford University.
Find more on the ODNB’s Sounds project, together with a list of all 750 archive recordings. Coming updates will link ODNB biographies to digitized collections of manuscripts, creative works by artists, funeral memorials, and further voice recordings—in partnerships with the British Library, Poetry Archive, Royal Collection, and Westminster Abbey among others.