Professor Lord Stern of Brentford at the EUI – 16 October 2015. Image: European University Institute from Italy [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons
The Research Excellence Framework Review, an independent review of university research funding undertaken by Lord Nicholas Stern, was published by the Department for Business, Skills and Innovation on 28 July 2016. It will now move to a further stage of consultation in late 2016, with the results published in 2017.
The entire Higher Education sector is under review, not just academic historians, but as part of our work supporting the profession, the IHR Library has started to collect relevant material and websites relating to the Review for those interested in understanding some of the implications of the proposals.
The text of the Review is available via Gov.uk. The call for evidence drew over 300 responses from across the sector; these are summarised here.
The consultation document is here; HEFCE blog updates on the responses are here.
The Times Higher Education Supplement provides an overview noting that ‘all research-active academics should be entered for the next research excellence framework, and the work of academics who have moved should be claimed by the institution where it was carried out’, but that the number of submissions would vary as a ‘function of staff numbers’. It suggests non-portability of outputs would take ‘the heat out of the traditional pre-REF “transfer market”. https://www.timeshighereducation.com/news/stern-review-submit-all-researchers-next-ref (limited paywall). There is also a live blog.
An initial analysis of ‘portability’ from the view of a ‘Fantasy REF manager’ by Adam Goldberg, ‘The Stern Review – Publications, Portability, and Panic’, Cash for Questions: social science research funding, policy, and development blog http://socialscienceresearchfunding.co.uk/?p=936 [28 July 2016].
While researching a collection guide on art history in the IHR library, we have been interested to see the range of material available in a library which doesn’t in itself specialize in the subject. The importance of art and culture within society means that our collection contains lots about the social, economic, political and ecclesiastical background of artists, patrons and consumers of art. Our collections complement the more specialist resources at the Warburg and Courtauld Institutes, Senate House Library, the National Art Library and elsewhere, and are especially strong in primary sources giving context to the history of western art since the fall of Rome.
Material can be found in a variety of sources, including letters and diaries, travel narratives, and the administrative records of households, local and national government and businesses. Among our online resources, newspapers carry contemporary reviews of exhibitions such as the Nazi ‘Exhibition of Degenerate Art’ held in Berlin in 1938. This can be found alongside a piece about the unveiling of three decorative panels designed and executed by students of the Hornsey School of Art for Muswell Hill Branch Library (The Times, 25 Feb 1938, p.18). Material in the North American collections includes exhibition records for the American Academy of Fine Arts and American Art-Union and The National Academy of Design, and an annual review of art in the Dominion Annual Register.
Mortimer, The Universal Director 1763
Parliamentary records also have a lot to offer, as varied as the petition associated with William Hogarth that led to ‘Hogarth’s Act’ introducing copyright protection, patents on art materials, and official reports on the provision of national galleries of art. From a parliamentary paper we learn of campaigns to provide artificial light in the newly opened South Kensington galleries, enabling them to open later “so that the members of the industrial classes may have opportunity of visiting them in the evening, which is their only time for such recreation and instruction.” (Letters and Memorials on Admission of Public in Evening to Turner and Vernon Galleries of Pictures, House of Commons Papers, 1859, accessed via Proquest UK Parliamentary Papers)
Our rich biographical collections help with identifying patrons and better understanding their backgrounds and motivations. There are a number of specialist dictionaries of artists, useful for seeing the backgrounds of people practicing in different fields.
The guide draws out several themes. There are collections on war and political art, with compilations of posters, accounts of war artists and records for political patronage of art. There is material on iconoclasm across the collections, especially in the sections for Byzantine, Ecclesiastical, Latin American and Northern European history, including the writings of reformers, legislation and town and church records. The history of collecting and display is also a strong theme, as discussed in more detail in the Guide to Museum and Heritage studies. Alongside some subject specific works such as catalogues of collections, guides to using art as a source and secondary texts, a wealth of material can be found in sources that aren’t in themselves about art, and the guide highlights some examples.
– New research guide to the Library’s Museum Studies and Heritage collections –
With research in the fields of museum studies and heritage continuing to expand and develop as a key trend in history, the IHR library has recently compiled a guide to the library’s museum studies and heritage collections. The guide provides an overview of the library’s holdings, gives details of the range of sources available for consultation, and highlights two case studies – the British Museum and the Imperial War Museum respectively. Relevant sources for the study of both institutions are outlined within the collection guide alongside relevant holdings within the library’s electronic resources, journals and periodicals. Throughout, the collection guide documents relevant examples on the architectural history, patronage, social history and visitor statistics for a range of institutions. These examples are designed to highlight the range of sources available in the library for researchers studying museums and heritage practices.
While researching the collection guide, one example from The Times, 25 January 1884 entitled ‘The Museum in New York’ proved particularly striking for its account of a law suit involving the then Director of the Metropolitan Museum of Art. The article notes of the museum that, ‘the Museum of Art is not a public institution. It is a strictly private corporation. It is the child of a number of enthusiastic gentlemen, who in November, 1869, held a meeting in this city for the purpose of creating some institution that would emulate the British Museum.’ In addition to providing commentary on the museum’s establishment, the article also details an alarming disregard for conservation practices. The correspondent states that during the trial it was offered ‘to let the plaintiff hack several statues to pieces in open court to test their genuineness; and a sculptor actually did hew off fragments from one of the images, in presence of Judge and jury, to show that the ancient relic was actually made of solid stone and not of cement.’ Commentaries on a range of museums can also be found in the library’s collections of personal testimonies, diaries and correspondence. For example, Krystyn Lach-Szyrma, a Polish philosopher who travelled across Britain between 1820 and 1824, described the Hunterian Museum in Glasgow as, ‘a rich collection of animals, plants, minerals, medals and manuscripts left by the famous doctor Hunter who studied at this University. The Anatomical Hall is the most interesting of all. I have seen there all the parts of the human body preserved in alcohol…The seats of feeling and of thought are thus the places where life begins!’
The library’s collections in museum and heritage studies are continuing to grow. One of the latest titles to arrive in the library, Interpreting Native American History and Culture at Museums and Historic Sites, features best practice case studies for museum professionals involved in caring for collections of Native American material culture. Of particular relevance for museum studies researchers is the chapter entitled ‘Taking Responsibility for Museum History and Legacy: promoting change in collections management’. This chapter provides insightful discussion into ethical considerations for collection management as well as providing a historical background to collecting practices in museums across the United States.
Very appropriate to follow on from last week’s blog about Octavia Hill, a successful housing and social reformer, a new collection guide about Social Policy History has seen the light of day! My colleague Tundun and I have put together a guide for finding material in this very broad field of research. Relevant works can be found in any of our collections depending on what aspect of social policy is being looked at. To try and ease the process of locating material in collections mostly arranged by country we have included suggestions of useful search terms such as Public Welfare, Charitable uses, Discrimination and Literacy. Here is just a small selection of material for the social policy researcher.
Closer to home in the British local collection there are a vast number of sources: Local initiatives of different charities, records of work houses and hospitals and local government implementation of poor relief to mention a few. One example is one of The Dugdale society’s latest publications about Poor Law Unions in Warwickshire 1834-1914. When it comes to government initiatives our comprehensive holdings of British Parliamentary Papers provide loads of material for research into the history of social policy.
Anyone craving a bit of Enlightenment might want to head to the third floor reading room of the Institute’s library where there is a small display showing a few choice articles from Denis Diderot and Jean le Rond d’Alembert’s Encyclopedie.
Thanks to the generosity of R. E. Madisson the library obtained a first edition of this seminal text of the French Enlightenment in 1957. Although not all the volume are on display one can browse some of the articles Diderot wrote himself, including Droit Naturel, where he defines his concepts of the private will and the general will, Autorité Politique, highlighting Diderot’s thoughts on violent and conferred political power, and Intolérance, where he states the vital need for religious tolerance within a state and between its citizens.
If you would like to find out more about the library’s collection on French history just click here.
– LGBT History Month is a month-long annual observance of lesbian, gay, bisexual and transgender history, and the history of the gay rights and related civil rights movements. (February in the UK, October in the US) –
In honour of LGBT History month, a new collection guide on Sexuality and LGBTQ history has been created to indicate the range of material we have here and to help readers locate specific works that may be of use to their research. The guide provides an overview of the Library’s collections and gives details of the relevant bibliographies, classmark locations and highlights works concerning sex customs and ethics, gender, sexual orientation, marriage and family policy.
As well as these, there are details of relevant University of London theses and electronic resources and periodicals that can be accessed from within the library. The guide brings together works dispersed across the Library’s collections, in particular from Women’s and Gender history, and also provides information of free seminars relevant to the study of the history of sexuality in the IHR.
The IHR Wohl Library now offers access to the digitized archive of the private papers of Sir Winston Churchill, both within the library and remotely to holders of a membership card.
The archive, which contains some 800,000 items, is an extraordinarily rich resource, not just for those interested in the life and career of Churchill, but also in broad stretches of the twentieth century.
Today (30 January) is the anniversary of Churchill’s state funeral in 1965: the day when famously even the cranes along the Thames lowered their arms in a moment, it seems, orchestrated for the film news crews. Neither the American President nor the Vice-President attended (President Johndon informed reporters from his sick bed in the White House that his doctors had forbidden him from flying). Instead, the United States was represented by Earl Warren, the US Chief Justice. Many in Britain deemed this a snob to the ‘special relationship’, with some speculating that this was a small form of payback for Churchill missing President Roosevelt’s funeral in 1945 (the archive contains a telegram from Anthony Eden, the foreign secretary, who attended the funeral, ‘Mrs Roosevelt said how sincerely touched she was that our country had sent a special representative [Eden]… The Governor General and I were the only representatives who made a special journey to attend the ceremony, except for the President of the Philippines, and I think this has touched people here… I find everybody here conscious of the heavy burdens which will be on you [Churchill] in the defence of both our peoples, indeed of Western civilisation now that F.D.R. cannot take part’ CHAR 20/214/124, telegram, 14 April 1945].
Churchill, of course, continues ‘to take part’ in world affairs, albeit symbolically. Few could have missed the various minor diplomatic disturbances and artificially-generated press scandals concerning the placement of the Churchill bust in the Oval Office of the White House, including that of the current occupant. The bust is by the sculptor Sir Jacob Epstein (1880-1959), and the White House has access to two casts, one donated to President Johnson in 1965 by a group of Churchill’s wartime friends, and the other loaned from the British Government Art Collection at the British ambassador’s residence in 2001 (before the attacks of 9/11) and first displayed in the White House while their cast was repaired. At some point the Government Art Collection’s cast returned to the British embassy, while the cast acquired in 1965 continued to sit outside the Oval Office. After 20 January 2017, the Washington Post reports, it moved inside, and was then, it seems, replaced by the British embassy’s cast, since the President-elect’s team had asked for another loan.
But what of the artist? Epstein was born in the Hester Street, New York City, the son of Jewish refuges from Augustów, Poland. He studied in Paris and then, in 1905 settled in London before becoming a British citizen, and soon earned a reputation as a sculptor. Artistic fame (and perhaps notoriety) came in 1908, with his carvings on Charles Holden’s British Medical Association in the Strand in London, boldly depicting nudity and pregnancy and challenging chaste public taste of the day: the Evening Standard suggested ‘no careful father’ would let his daughter view them. (In 1935, the Rhodesian High Commission took over the building and mutilated the statues, as the National Archives notes, an ‘ugly reminder of an unfortunate episode of artistic censorship/indifference’.) In 1918, his name appears in the Archive, in a telegram from his wife, Margaret Epstein, to Lady Randolph Churchill, asking, unsuccesfully, if the prime minister could ‘do anything’ to obtain him a position in which, as the Archive catalogue notes, ‘Epstein could use his talents for propaganda purposes’.
His star rose in from the late 1920s, and in 1937 he was chosen as the spokesperson for the London Group, which urged artists to refuse to cooperate with a Nazi attempt to organise an exhibition of British art in Berlin that excluded Jewish artists. During the Second World War he received commissions from the War Artists’ Advisory Committee, including likenesses of Ernet Bevin and, in 1945, Winston Churchill (this was arranged by Sir Kenneth Clark, who wrote that ‘I think he will do something good, and at any rate you will not have to go far to get to the studio’ — Churchill and Epstein were neighbours in Hyde Park Gate, London). Several casts were to be made. After some discussion, Churchill agreed to the commission, and recommended a ‘third bust to go the United States of America.’ [CHUR 1/17A-B, 16 Oct 1945].
Churchill, as the archive makes clear, was rather busy at the time , and was initially unable to make space in his diary for the sitting (‘I am about to leave for an extended visit to the United States’). The Keeper of Pictures at the Imperial War Museum pressed the issue on a couple of fronts, noting ‘if it is not completed fairly soon we shall be unable to pay for it during the present financial year and later on we shall probably not have the money for it.’ More, flatteringly, ‘we hope to re-open some of the galleries of the Museum [which had been bombed] very shortly and we are very anxious, of course, to be able to include a bust of Mr. Churchill in the exhibition.’ [CHUR 1/17A-B]. Sittings resumed, with Epstein summoned to Chartwell. The bust was exhibited in 1947. You can view one of the casts on the Imperial War Museums site (the bust remains in copyright).
Epstein died of a heart attack in 1959. A memorandum in the Archive reads, ‘You have always has friendly relations with Sir Jacob Epstein, your neighbour. Do you wish to send his widow a telegram’ [CHUR 2/522A-B, f. 171, 22 Aug 1959]. On the top of the note is a Churchillian tick, and we can assume that something was sent: on 29 August, Kathleen, Lady Epstein, replied ‘Thankyou for the kind & sympathetic messsage your sent me when my husband died. He went like any artist would like to go. We drank a glass of wine together in good spirits, sang a few songs, then he took a last look around the studio & died.’
Winston Churchill in a jeep outside the German Reichstag during a tour of the ruined city of Berlin, 16 July 1945 by Lockeyear W T (Capt), Malindine E G (Capt), No 5 Army Film & Photographic Unit – http://media.iwm.org.uk/iwm/mediaLib//38/media-38944/large.jpg. This is photograph BU 8950 from the collections of the Imperial War Museums, Public Domain, https://commons.wikimedia.org/w/index.php?curid=24498201
The IHR Library recently acquired access to the vast digital Churchill Archive. It can be consulted within the library, but IHR Library members can also access this collection of over 800,000 items remotely.
Access is simple, and is detailed below, but please speak to one of the librarians if you have any issues.
IHR Library members should access this resource onsite or offsite using the link from the catalogue record or the e-resources webpage. (Direct access to the resource is only available through the Churchill Archive website if you are using one of the IHR PCs.) When offsite, these links will prompt you for your name and the barcode number from your IHR membership card. Once you have access to the site, it will say ‘Subscriber Access’ at the top right of the screen.
The optional MyArchive feature allows you to save your searches and favourite documents. To set this up, you can 1) click ‘Sign in’ and 2) click the ‘register here’ link.
There is further information and a useful Take a Tour feature on the Churchill Archive website.
If you are not a member of the IHR Library and would like to join, further information is available on the Membership page.
We look forward to hearing what use you make of this important resource.
Accompanying the Institute’s Winter Conference, the library has put together a small exhibition on the lower ground floor, show-casing some of the resources you can find in its collections on the subject of civil war.
Displays include a varied selection of sources on the civil war of the 1640s, including a range of contemporary works on political thought, including an 18th century edition of John Milton’s tract, The tenure of Kings and Magistrates, as well as works highlighting the wars influence on political discourse in the latter seventeenth century and beyond, accounts of the conflict in Ireland, Scotland, and a range of English counties, as well as a selection of civil war ballads. Imagery too is included; one can view a copy of the famous front-piece to Εικον Βασιλικη, found in the library’s edition of the works of Charles I.
Ahead of the forthcoming IHR Winter Conference: Civil Wars, the IHR Library has acquired new works documenting the on-going conflict in Syria and the wider refugee crisis it has sparked. The Syrian Civil War is now in its sixth year, prompting consideration of the term ‘civil war’ itself and whether the term still holds value for historians. The conference will therefore question the conceptualisation and language of civil discord, asking ‘do civil wars share certain features or is this a term of art that obscures the uniqueness of each historical situation?’ With this question in mind, details of two of the latest acquisitions to the IHR Library that provide unique, individual perspectives on the Syrian Civil War are outlined below.
This work details the journey of Nujeen Mustafa, a young woman born with cerebral palsy and confined to a wheelchair, as she travels from Syria to Europe as a refugee. The account describes the perils of such a journey, however these harrowing details are interspersed with Mustafa’s deeply personal observations, humour and optimism – as such the memoir lends the refugee crisis and the history of the Syrian civil war a human face. As Mustafa asserts, ‘the year 2015 was when I became a fact, a statistic, a number. Much as I like facts, we are not numbers, we are human beings and we all have stories. This is mine.’
Similarly, the memoir describes the final stages of Mustafa’s crossing to Europe in vivid detail noting, for example that, ‘the beach was not sandy as I had imagined it would be but pebbly – impossible for my wheelchair.’ In addition, Mustafa obliquely reflects on the wider refugee crisis and provides a reminder that each refugee has their own individual story. She comments, ‘I knew the sea only from National Geographic documentaries and now it was as if I was part of one… Some people swapped stories but most didn’t say much. They didn’t need to. To be leaving all you knew and had built up in your own country to make this dangerous and uncertain journey, it must be bad.’
Wolfgang Bauer’s work also documents the journey undertaken by Syrian refugees from Egypt to Europe through first-hand accounts. A journalist by trade, Bauer posed as an English teacher in order to witness the refugee crisis and report on all stages of the crossing to Europe. Thus the volume, and the series of photographs by Stanislav Krupar contained within it, highlights individual stories from both the civil war and the refugee crisis.
Bauer writes, ‘in April 2014, photographer Stanislav Krupar and I joined a group of Syrian refugees trying to get across the sea from Egypt to Italy. We put ourselves in the hands of people smugglers who have no idea that we are journalists. That’s why we get herded forward with sticks like the rest…Only Amar and his family know who we really are. He is an old friend from my time reporting on the Syrian civil war. It was desperation that drove him here; he dreams of living in Germany. He will translate and interpret for us along the way. We have grown long beards and adopted new identities. For this journey, we are English teachers Varj and Servat, two refugees from a republic in the Caucasus. We are now part of the great exodus.’
In addition to these newly acquired works, the Library also holds journal articles on the civil war, for example Salwa Ismail’s ‘The Syrian Uprising: Imagining and Performing the Nation’, in Studies in Ethnicity and Nationalism, 11, No.3, (2011). Professor Ismail will speak on ‘The Civil War in Syria‘ at the IHR’s Winter Conference. The Library also has electronic access to Human Rights Watch Report, No Room to Breathe: state repression of human rights activism in Syria, Vol. 19, (2007). However, please note that some electronic articles and resources are only available onsite from library PCs, with offsite access limited to staff and students of the IHR due to current licencing restrictions. More information on the library’s electronic holdings is available here.
The IHR Library’s collections will continue to expand as new memoirs and testimonies from the on-going Syrian conflict emerge. Whilst such contemporary materials would not normally fall within the library’s collection profile, the Library has decided to selectively acquire material due to the historical importance of the current crisis. These invaluable sources will enable historians to question not only the ‘uniqueness’ of the civil war, but also to give voice to individual narratives caught up in a conflict that shows no sign of abating.
Works on economic history abound within the library and it is hoped a new collection guide on the subject will indicate the range of material we have here and help readers locate specific works that may be of use to their research. The bulk of the guide comprises of an overview showcasing some of the works we have here in the library. These include some of our bibliographic resources, works on the historiography of economic history, reference works and editions of published statistics as well as a selection of items on a range of topics from banking and finance, international trade, to even whaling and the fishing industry (during the course of writing this guide I discovered that a particular strength of the library’s collections is agriculture history, especially for Britain and Ireland).
As well as the overview there are details of the University of London theses relevant to economic history we have, as well as the electronic resources you can access from within the library.