Professor Lord Stern of Brentford at the EUI – 16 October 2015. Image: European University Institute from Italy [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons
The Research Excellence Framework Review, an independent review of university research funding undertaken by Lord Nicholas Stern, was published by the Department for Business, Skills and Innovation on 28 July 2016. It will now move to a further stage of consultation in late 2016, with the results published in 2017.
The entire Higher Education sector is under review, not just academic historians, but as part of our work supporting the profession, the IHR Library has started to collect relevant material and websites relating to the Review for those interested in understanding some of the implications of the proposals.
The text of the Review is available via Gov.uk. The call for evidence drew over 300 responses from across the sector; these are summarised here.
The Times Higher Education Supplement provides an overview noting that ‘all research-active academics should be entered for the next research excellence framework, and the work of academics who have moved should be claimed by the institution where it was carried out’, but that the number of submissions would vary as a ‘function of staff numbers’. It suggests non-portability of outputs would take ‘the heat out of the traditional pre-REF “transfer market”. https://www.timeshighereducation.com/news/stern-review-submit-all-researchers-next-ref (limited paywall). There is also a live blog.
An initial analysis of ‘portability’ from the view of a ‘Fantasy REF manager’ by Adam Goldberg, ‘The Stern Review – Publications, Portability, and Panic’, Cash for Questions: social science research funding, policy, and development blog http://socialscienceresearchfunding.co.uk/?p=936 [28 July 2016].
– LGBT History Month is a month-long annual observance of lesbian, gay, bisexual and transgender history, and the history of the gay rights and related civil rights movements. (February in the UK, October in the US) –
In honour of LGBT History month, a new collection guide on Sexuality and LGBTQ history has been created to indicate the range of material we have here and to help readers locate specific works that may be of use to their research. The guide provides an overview of the Library’s collections and gives details of the relevant bibliographies, classmark locations and highlights works concerning sex customs and ethics, gender, sexual orientation, marriage and family policy.
As well as these, there are details of relevant University of London theses and electronic resources and periodicals that can be accessed from within the library. The guide brings together works dispersed across the Library’s collections, in particular from Women’s and Gender history, and also provides information of free seminars relevant to the study of the history of sexuality in the IHR.
The IHR Wohl Library now offers access to the digitized archive of the private papers of Sir Winston Churchill, both within the library and remotely to holders of a membership card.
The archive, which contains some 800,000 items, is an extraordinarily rich resource, not just for those interested in the life and career of Churchill, but also in broad stretches of the twentieth century.
Today (30 January) is the anniversary of Churchill’s state funeral in 1965: the day when famously even the cranes along the Thames lowered their arms in a moment, it seems, orchestrated for the film news crews. Neither the American President nor the Vice-President attended (President Johndon informed reporters from his sick bed in the White House that his doctors had forbidden him from flying). Instead, the United States was represented by Earl Warren, the US Chief Justice. Many in Britain deemed this a snob to the ‘special relationship’, with some speculating that this was a small form of payback for Churchill missing President Roosevelt’s funeral in 1945 (the archive contains a telegram from Anthony Eden, the foreign secretary, who attended the funeral, ‘Mrs Roosevelt said how sincerely touched she was that our country had sent a special representative [Eden]… The Governor General and I were the only representatives who made a special journey to attend the ceremony, except for the President of the Philippines, and I think this has touched people here… I find everybody here conscious of the heavy burdens which will be on you [Churchill] in the defence of both our peoples, indeed of Western civilisation now that F.D.R. cannot take part’ CHAR 20/214/124, telegram, 14 April 1945].
Churchill, of course, continues ‘to take part’ in world affairs, albeit symbolically. Few could have missed the various minor diplomatic disturbances and artificially-generated press scandals concerning the placement of the Churchill bust in the Oval Office of the White House, including that of the current occupant. The bust is by the sculptor Sir Jacob Epstein (1880-1959), and the White House has access to two casts, one donated to President Johnson in 1965 by a group of Churchill’s wartime friends, and the other loaned from the British Government Art Collection at the British ambassador’s residence in 2001 (before the attacks of 9/11) and first displayed in the White House while their cast was repaired. At some point the Government Art Collection’s cast returned to the British embassy, while the cast acquired in 1965 continued to sit outside the Oval Office. After 20 January 2017, the Washington Post reports, it moved inside, and was then, it seems, replaced by the British embassy’s cast, since the President-elect’s team had asked for another loan.
But what of the artist? Epstein was born in the Hester Street, New York City, the son of Jewish refuges from Augustów, Poland. He studied in Paris and then, in 1905 settled in London before becoming a British citizen, and soon earned a reputation as a sculptor. Artistic fame (and perhaps notoriety) came in 1908, with his carvings on Charles Holden’s British Medical Association in the Strand in London, boldly depicting nudity and pregnancy and challenging chaste public taste of the day: the Evening Standard suggested ‘no careful father’ would let his daughter view them. (In 1935, the Rhodesian High Commission took over the building and mutilated the statues, as the National Archives notes, an ‘ugly reminder of an unfortunate episode of artistic censorship/indifference’.) In 1918, his name appears in the Archive, in a telegram from his wife, Margaret Epstein, to Lady Randolph Churchill, asking, unsuccesfully, if the prime minister could ‘do anything’ to obtain him a position in which, as the Archive catalogue notes, ‘Epstein could use his talents for propaganda purposes’.
His star rose in from the late 1920s, and in 1937 he was chosen as the spokesperson for the London Group, which urged artists to refuse to cooperate with a Nazi attempt to organise an exhibition of British art in Berlin that excluded Jewish artists. During the Second World War he received commissions from the War Artists’ Advisory Committee, including likenesses of Ernet Bevin and, in 1945, Winston Churchill (this was arranged by Sir Kenneth Clark, who wrote that ‘I think he will do something good, and at any rate you will not have to go far to get to the studio’ — Churchill and Epstein were neighbours in Hyde Park Gate, London). Several casts were to be made. After some discussion, Churchill agreed to the commission, and recommended a ‘third bust to go the United States of America.’ [CHUR 1/17A-B, 16 Oct 1945].
Churchill, as the archive makes clear, was rather busy at the time , and was initially unable to make space in his diary for the sitting (‘I am about to leave for an extended visit to the United States’). The Keeper of Pictures at the Imperial War Museum pressed the issue on a couple of fronts, noting ‘if it is not completed fairly soon we shall be unable to pay for it during the present financial year and later on we shall probably not have the money for it.’ More, flatteringly, ‘we hope to re-open some of the galleries of the Museum [which had been bombed] very shortly and we are very anxious, of course, to be able to include a bust of Mr. Churchill in the exhibition.’ [CHUR 1/17A-B]. Sittings resumed, with Epstein summoned to Chartwell. The bust was exhibited in 1947. You can view one of the casts on the Imperial War Museums site (the bust remains in copyright).
Epstein died of a heart attack in 1959. A memorandum in the Archive reads, ‘You have always has friendly relations with Sir Jacob Epstein, your neighbour. Do you wish to send his widow a telegram’ [CHUR 2/522A-B, f. 171, 22 Aug 1959]. On the top of the note is a Churchillian tick, and we can assume that something was sent: on 29 August, Kathleen, Lady Epstein, replied ‘Thankyou for the kind & sympathetic messsage your sent me when my husband died. He went like any artist would like to go. We drank a glass of wine together in good spirits, sang a few songs, then he took a last look around the studio & died.’
Winston Churchill in a jeep outside the German Reichstag during a tour of the ruined city of Berlin, 16 July 1945 by Lockeyear W T (Capt), Malindine E G (Capt), No 5 Army Film & Photographic Unit – http://media.iwm.org.uk/iwm/mediaLib//38/media-38944/large.jpg. This is photograph BU 8950 from the collections of the Imperial War Museums, Public Domain, https://commons.wikimedia.org/w/index.php?curid=24498201
The IHR Library recently acquired access to the vast digital Churchill Archive. It can be consulted within the library, but IHR Library members can also access this collection of over 800,000 items remotely.
Access is simple, and is detailed below, but please speak to one of the librarians if you have any issues.
IHR Library members should access this resource onsite or offsite using the link from the catalogue record or the e-resources webpage. (Direct access to the resource is only available through the Churchill Archive website if you are using one of the IHR PCs.) When offsite, these links will prompt you for your name and the barcode number from your IHR membership card. Once you have access to the site, it will say ‘Subscriber Access’ at the top right of the screen.
The optional MyArchive feature allows you to save your searches and favourite documents. To set this up, you can 1) click ‘Sign in’ and 2) click the ‘register here’ link.
There is further information and a useful Take a Tour feature on the Churchill Archive website.
If you are not a member of the IHR Library and would like to join, further information is available on the Membership page.
We look forward to hearing what use you make of this important resource.
Accompanying the Institute’s Winter Conference, the library has put together a small exhibition on the lower ground floor, show-casing some of the resources you can find in its collections on the subject of civil war.
Displays include a varied selection of sources on the civil war of the 1640s, including a range of contemporary works on political thought, including an 18th century edition of John Milton’s tract, The tenure of Kings and Magistrates, as well as works highlighting the wars influence on political discourse in the latter seventeenth century and beyond, accounts of the conflict in Ireland, Scotland, and a range of English counties, as well as a selection of civil war ballads. Imagery too is included; one can view a copy of the famous front-piece to Εικον Βασιλικη, found in the library’s edition of the works of Charles I.
Ahead of the forthcoming IHR Winter Conference: Civil Wars, the IHR Library has acquired new works documenting the on-going conflict in Syria and the wider refugee crisis it has sparked. The Syrian Civil War is now in its sixth year, prompting consideration of the term ‘civil war’ itself and whether the term still holds value for historians. The conference will therefore question the conceptualisation and language of civil discord, asking ‘do civil wars share certain features or is this a term of art that obscures the uniqueness of each historical situation?’ With this question in mind, details of two of the latest acquisitions to the IHR Library that provide unique, individual perspectives on the Syrian Civil War are outlined below.
This work details the journey of Nujeen Mustafa, a young woman born with cerebral palsy and confined to a wheelchair, as she travels from Syria to Europe as a refugee. The account describes the perils of such a journey, however these harrowing details are interspersed with Mustafa’s deeply personal observations, humour and optimism – as such the memoir lends the refugee crisis and the history of the Syrian civil war a human face. As Mustafa asserts, ‘the year 2015 was when I became a fact, a statistic, a number. Much as I like facts, we are not numbers, we are human beings and we all have stories. This is mine.’
Similarly, the memoir describes the final stages of Mustafa’s crossing to Europe in vivid detail noting, for example that, ‘the beach was not sandy as I had imagined it would be but pebbly – impossible for my wheelchair.’ In addition, Mustafa obliquely reflects on the wider refugee crisis and provides a reminder that each refugee has their own individual story. She comments, ‘I knew the sea only from National Geographic documentaries and now it was as if I was part of one… Some people swapped stories but most didn’t say much. They didn’t need to. To be leaving all you knew and had built up in your own country to make this dangerous and uncertain journey, it must be bad.’
Wolfgang Bauer’s work also documents the journey undertaken by Syrian refugees from Egypt to Europe through first-hand accounts. A journalist by trade, Bauer posed as an English teacher in order to witness the refugee crisis and report on all stages of the crossing to Europe. Thus the volume, and the series of photographs by Stanislav Krupar contained within it, highlights individual stories from both the civil war and the refugee crisis.
Bauer writes, ‘in April 2014, photographer Stanislav Krupar and I joined a group of Syrian refugees trying to get across the sea from Egypt to Italy. We put ourselves in the hands of people smugglers who have no idea that we are journalists. That’s why we get herded forward with sticks like the rest…Only Amar and his family know who we really are. He is an old friend from my time reporting on the Syrian civil war. It was desperation that drove him here; he dreams of living in Germany. He will translate and interpret for us along the way. We have grown long beards and adopted new identities. For this journey, we are English teachers Varj and Servat, two refugees from a republic in the Caucasus. We are now part of the great exodus.’
In addition to these newly acquired works, the Library also holds journal articles on the civil war, for example Salwa Ismail’s ‘The Syrian Uprising: Imagining and Performing the Nation’, in Studies in Ethnicity and Nationalism, 11, No.3, (2011). Professor Ismail will speak on ‘The Civil War in Syria‘ at the IHR’s Winter Conference. The Library also has electronic access to Human Rights Watch Report, No Room to Breathe: state repression of human rights activism in Syria, Vol. 19, (2007). However, please note that some electronic articles and resources are only available onsite from library PCs, with offsite access limited to staff and students of the IHR due to current licencing restrictions. More information on the library’s electronic holdings is available here.
The IHR Library’s collections will continue to expand as new memoirs and testimonies from the on-going Syrian conflict emerge. Whilst such contemporary materials would not normally fall within the library’s collection profile, the Library has decided to selectively acquire material due to the historical importance of the current crisis. These invaluable sources will enable historians to question not only the ‘uniqueness’ of the civil war, but also to give voice to individual narratives caught up in a conflict that shows no sign of abating.
Works on economic history abound within the library and it is hoped a new collection guide on the subject will indicate the range of material we have here and help readers locate specific works that may be of use to their research. The bulk of the guide comprises of an overview showcasing some of the works we have here in the library. These include some of our bibliographic resources, works on the historiography of economic history, reference works and editions of published statistics as well as a selection of items on a range of topics from banking and finance, international trade, to even whaling and the fishing industry (during the course of writing this guide I discovered that a particular strength of the library’s collections is agriculture history, especially for Britain and Ireland).
As well as the overview there are details of the University of London theses relevant to economic history we have, as well as the electronic resources you can access from within the library.
We would like to thank regular Friday night library readers for their induldgence over a few evenings in November. Regular visitors to the library may have noticed the odd room closed for mysterious purposes, spotted our Low Countries post-doctoral fellow poring over the typography of the London Gazette from 1666, or been bemused by members of This&That Productions looking for trapdoors and other hiding spots. All this preparation was in advance of ‘Night at the Library: books of hope and fear’, part of the IHR’s contribution to the 2016 Being Human festival of the humanities (you can also read about the IHR’s other event and exhibition, ‘Beside the Seaside’ here).
The festival seeks to communicate the excitement of current humanities research, laced with the occasional dose of enjoyment. We wanted to do something in the library that explored the process of research, and perhaps introduced some new people to the richess and usefulness of the collection here. After thinking about some questions based around the collections, and making use of the library’s physical space, we very quickly realised that what we had in mind was a type of ‘Escape Room’, something that has rapidly become very popular since its origin in Japan in 2007 (and which can arguably be traced back to a series of popular TV shows in the 1980s and 90s). Ours involved a twist: we wanted to use a relatively new technology that uses small pucks to beam a geographically-specific message to a phone (or track participants around the room) via iBeacon or Eddystone protocols. Typically found at IT conferences, but also at a few cultural or heritage sites, such as Kew Gardens, it offered the chance to link the physical environment with digital resources. And with that, the ‘Book Sniffer’ was born (you probably had to be there.)
We also needed a theme. Being Human’s exploration of hope and fear quickly suggested the Great Fire of London, not least because of the 350th anniversary year, but again to pin the event down in geographical terms: the winners would be offered a night-time view of St Paul’s Cathedral from the top of the Senate House Tower. An application to Being Human was submitted, and we were fortunate enough to receive a grant, enabling us to secure the services of This&That Productions to help produce the event and develop scripts for four actors would posed the challenges to participants as they made their way through the three rooms. These included an audience with a lascivious Charles II, full of hope for his new capital city, a concerned printer to the king, trying to keep abreast of the destruction as the fires raged, and a Dutch immigrant, fearful for her son who had been arrested and accused of arson.
The challenges included the complexities of a name/place/subject index, the clues to the burning of the London Gazette‘s printing office left in its typography, operating a venerable microfilm reader, sorting early modern maps, thermochromatic love letters, and old-fashioned jigsaw puzzles. Props included real tennis balls (mistaken at the time for fire balls), and special recordings and playback machines created by the SAS sound artist in resident, Hannah Thompson.
We also had a visit from Radio 3 Free Thinking‘s Shahidha Bari and Laurence Scott, who proved to be excellent guinea pigs for the event before our 70 guests arrived for the proper event. You can hear how they fared at the end of the episode that aired on 16 Nov 2016 (about 36 minutes in).
What next? It’s possible that the event, or something like it, may return to the IHR. We will certainly look at how the puzzles and ideas might be used in library induction or training, as well as think a bit more about how escape games might relate to historical teaching, and even research, in the future. The Atlantic reported on the rise of educational escape games, Cambridge Science Museums have run several succesful games, and there is even a blog dedicated to educational library escape games. Finally, there are question about heritage and the use of the past: what are we really doing when we are playing historical escape games? Perhaps we are as much escaping the fear of the present as recreating a hopeful past. As the reading rooms return to their normal scholarly hush, we look forward to reading a book on the subject.
This post has been reposted from the LSE website to highlight this exciting new resource.
Charles Booth’s Inquiry Into theLife and Labour of the People in London was a path-breaking investigation into the social conditions faced by Londoners living in the late-Victorian era. To mark the 2016 centenary of Booth’s death, LSE has relaunched the website dedicated to Booth’s life and work as Charles Booth’s London (https://booth.lse.ac.uk/).
Booth’s famous poverty maps were pioneering in the use of colour to detail the street-by-street disparities of wealth and poverty in London. The maps were drawn from a series of “police notebooks” that Booth and his team produced by walking the streets of the Victorian metropolis. The newly redeveloped website makes available both the police notebooks and the poverty maps.
The poverty maps are available as a single interactive version using modern online mapping techniques, and are also available individually for download. The interactive version of the map allows users to search by location, and offers the ability to geo-locate individual notebooks according to the streets Booth and his team walked when doing their research. The police notebooks are available to browse and search, can be read using state-of-the-art manuscript viewer technology, and are available for download.
In addition to making available the maps and notebooks, the site has been thoroughly redesigned to reflect modern web design and accessibility standards, and features responsive design allowing it to be accessed on desktop computers, on tablets and on mobile devices. The site also includes contextual information about Booth’s life and times and about the Inquiry, and provides a series of highlights offering a “way in” to the rich archival material.
Nicola Wright, Director of LSE Library commented: “This was a pioneering study and I am thrilled to see this important archive reinvented again and made even more engaging and accessible. The innovative work of the LSE Library team and our partners is a fitting tribute to Booth’s great endeavour.”
In July 2016 the Booth archive was inscribed on UNESCO’s UK Memory of the World Register, which recognises culturally significant heritage material from across the UK, joining other material such as the Bill of Rights and the Magna Carta. The redeveloped website reflects LSE’s ongoing commitment to make available LSE Library’s collections as widely as possible and via new and innovative means.
Following the IHR Library’s user survey conducted in April 2016, the library team have been undertaking further, more in-depth user experience (UX) research to establish the multitude of ways in which our readers use the library space. This research is intended to identify areas in which the library can be improved and to gain insight into user requirements of the library.
Library staff have therefore been researching methodologies and current trends in user experience research. A range of interactive and creative tasks were then selected to best establish a snapshot of our users, their research behaviours and the ways in which they use the library. These research activities included conducting focused one-to-one interviews with a range of researchers, asking users to take staff on tours of the library, and to participate in a cognitive mapping exercise.
In total eight cognitive maps were collected, with each varying greatly both in style and content. This has provided staff with a varied dataset to help facilitate better understanding of library users’ perceptions of the building, physical space of the library and of the Institute more broadly. Further information about this exercise and examples of some of the maps collected are detailed below.
Cognitive Mapping Exercise:
In recent years, cognitive mapping has become a popular tool amongst library practitioners to gain insight into user behaviour and experience. As Ned Potter has outlined, ‘cognitive mapping is in essence asking your subject to draw a map of the library – or, ideally, of their wider learning landscape – in order to understand how they perceive the space, what they actually use, what they value and see as most important and so on.’ (Ned Potter, ‘UXLIBS 4: Ethnography You Can Try at Home‘, UX Adventure, 2015)
Consequently, IHR library staff recently asked eight researchers to draw the IHR library, or the IHR more generally. Participants were asked to alternate the colour of pens every two minutes for a total of three colours over six minutes. This technique is used to place items in the order in which they were drawn, indicating areas of importance. Participants began with a red pen, then changed to blue, before concluding in black pen.
One participant chose to depict the ‘journey’ to get to the Institute, drawing the hectic and chaotic world of central London outside the IHR (Figure 1). In their map, the library was described as representing something of a haven for quiet, contemplative research and work. The participant therefore drew streets, cars and surrounding buildings, however the only people included on the map were within the IHR itself, highlighting the participant’s view of the IHR as a social and inviting space.
Similarly, another participant opted to fill their map with people and key sites of interaction (Figure 2). They spoke of depicting the IHR as a ‘community’ in their map. In drawing the Institute as a whole, the common room and the reception area were common factors across all eight maps, suggesting these as significant sites in the make-up of the Institute. This also indicated that so-called ‘break-out’ areas within the library were key considerations for participants.
In addition, during discussions explaining their maps three participants highlighted the location of sites within the current library in relation to where they had been prior to renovation of the building and the IHR’s time in the South Block of Senate House. In this regard, one participant drew ‘sites of memory’ on their map – these represented both areas of particularly fond memories and recollections, but also previous locations of the library’s collections (Figure 3).
As noted previously, all eight maps were drawn in very differing styles and in varied formats. While some were formulated in a logical manner and floors were depicted in a rigid structure, others missed out areas and one participant was unsure of how many floors in total the IHR has – writing on their map ‘Missing Floor?’ between the second and third floor landings. The relative lack of detail attributed to the North American room on the second floor and to the third floor across all eight maps suggests a need to review the physical environments of these areas of the library.
Further analysis of the cognitive maps and in-depth participant interviews will take place in the coming weeks. The IHR library team are immensely grateful to all participants and for allowing the reproduction of a selection of the cognitive maps collected here.
Library staff would welcome any feedback on any aspect of the library and on the user experience research they are conducting. If you would like to provide feedback, please contact library staff via the library enquiry office, email firstname.lastname@example.org or phone 020 7862 8760.
For further information on the methodology of utilising cognitive mapping in library user experience research see:
On Friday 28th October, the IHR Library will host a screening of the documentary ‘Little America‘ (2016) exploring the history of the US Embassy at Grosvenor Square and examining its role as a physical representation of the ‘Special Relationship’ and as a site of protest.
The film was commissioned to mark the Embassy’s departure from the Square as it moves to its new home south of the river at Nine Elms. The move marks a significant historical departure, with the US having been associated with Grosvenor Square since the late eighteenth century when John Adams, the first United States Minister to the Court of St. James’s, lived from 1785 to 1788 in the house which still stands in Grosvenor Square on the corner of Brook and Duke Streets.
The documentary records the history of both the people and the place that came to be know as ‘Little America’ and encompasses archive footage alongside oral histories from numerous British and American diplomats, journalists, politicians and activists, including Tony Blair, William Hague, Jack Straw, Jon Snow, Justin Webb, and the current ambassador, Matthew Barzun.
The screening will be preceded by a short introductory talk from Emily Gee (Historic England and IHR Fellow) focusing on the historical and architectural importance of the building.