Gay, Arthur Wilson; The Conchie; Peace Museum; http://www.artuk.org/artworks/the-conchie-21680
We begin this week with Clive Barrett’s Subversive Peacemakers, War Resistance 1914–1918: An Anglican Perspective. James Cronin and the author discuss a valuable scholarly contribution to the war’s hidden history documenting its half-forgotten subversive peacemakers (no. 1927, with response here).
Next up is Fatherhood and the British Working Class, 1865–1914 by Julie-Marie Strange, as Emily Bowles praises a study which is important for understanding contemporary readings of fatherhood and parenting (no. 1926).
Then Sara Charles recommends an exhibition which does an excellent job of portraying Dee as a much-accomplished scholar as opposed to an eccentric occultist, as she reviews Scholar, courtier, magician: the lost library of John Dee (no. 1925).
Finally we have Reconstructing Democracy: Grassroots Black Politics in the Deep South after the Civil War by Justin Behrend. Erik Mathisen believes this work is the perfect place for scholars to begin the work of re-imagining the history of America’s most tortured historical moment (no. 1924).
Even amongst the extraordinary contents of the Ron Heisler collections, this strident little pamphlet rather stands out. It is the first and perhaps only issue of an underground magazine called, with arch provocativeness, Bigot. It is a remarkable mixture of sexual politics, suspicion of the establishment, vegetarian recipes and anti-nuclear propaganda. Something of its spirit and attitude can be discerned from the fact that the editorial has, by way of testimonial, an image of Karl Marx with a speech bubble containing the words, ‘Moist and fruity. A real corker’.
The content betrays a suspicion of authorities, the state and police in many different forms, with a cartoon depicting undercover police offers selling ‘dope’ to students in the hope of postponing the revolution; satisfied with their work, they walk away saying ‘Keep ‘em stoned, keep ‘em tame’. Even Winnie-the-Pooh is drawn into this position; with scant regard for the copyright of either A.A. Milne or E.H. Shepard, he is shown discussing how he would deal ‘with an angry police-person’, namely, ‘I would first bounce on him on my front, then turn over and bounce a little more.’
In other places, Bigot betrays a very powerful impatience with fellow students, for example haranguing a Saturday night crowd oblivious to the world situation and an international militaristic conspiracy: ‘They’re building a war. They’ve planned it. They’re ready, waiting, prepared. And all you do is DANCE.’
While arguably naïve, it is an intriguing document that illustrates with great immediacy the last generation of such publications, which would today be far more likely to be produced as blogs and online content. It is also, to the best of our knowledge, the only example of this or any other issue of Bigot to find its way to the security of a library shelf anywhere in the UK.
Moreover, reading it, one cannot help but warm to, and wonder about, the typist of these now fragile pages. The whole production is anonymous, and the author even remarks wryly that ‘due to anticipated C.I.D. investigations, I am a little less than enthusiastic to give my home address’. This statement does, however, give the best clue to the creator in that the postal address given is ‘Box D, Mandela House, Swansea University,’ a building that still functions as the Swansea University Students’ Union. The best hint of the date of its production is that the first article is an anti-capitalist exploration of the cause of the sinking of the Herald of Free Enterprise passenger ferry in 1987. From an angry passage where a P.E. teacher is recalled using ‘girls’ as an insult, and from the ensuing discussion, it is also clear that the writer is a man.
So, the staff of Senate House Library and IHR Digital would like to appeal to anyone who suspects they may know or remember the identity of a student who attended Swansea University in the late 1980s, was a socialist-minded vegetarian, and who may have written Bigot. We would love to unite the writer with a new crop of readers, and to hear whether this foray into alternative journalism had an influence on his later life.
Canine at the Westminster Pit – Lord Palmerston and Lord Derby
We start this week with Henry Miller’s Politics Personified: Portraiture, Caricature and Visual Culture in Britain, c.1830-80. Tessa Kilgariff and the author discuss a book whose conclusions have implications not only for political historians but also art historians and scholars of social and cultural history (no. 1923, with response here).
Next up is Papacy, Monarchy and Marriage, 860-1600 by David d’Avray, as Sara Butler and the author robustly debate a comprehensive analysis of royal marriages and their dissolution (no. 1922, with response here).
Then we turn to Alessio Ponzio’s Shaping the New Man: Youth Training Regimes in Fascist Italy and Nazi Germany. Philip Morgan has some reservations about a new history of fascism (no. 1921).
Finally we have the Oxford Handbook of the English Revolution, edited by Michael Braddick, which Elliot Vernon believes to be a useful starting point for those seeking to expand their knowledge of an increasingly complicated field of study (no. 1920).
This collection of political ephemera, built up by Heisler over the last 50 years and still being added to by regular deposits of pamphlet-stuffed plastic bags, currently consists of approximately 25,000 books, 20,000 pamphlets, 3,000 journal and newspaper titles and a quantity of ephemera, published by or relating to labour and radical political movements, and to political expression in art, drama and literature.
The collection is particularly strong for Britain and Ireland, and includes items published by radical groups, friendly societies and the Chartists from the late-18th to the 20th centuries, and many publications of Trotskyist groups, the Independent Labour Party and the Communist Party from the early to mid-20th century. From the 1960s and 1970s, the holdings of New Left material are very extensive, and there are some uncommon publications from the women’s movement. The collection further covers Africa, particularly South Africa; Australia, Canada, New Zealand, the United States and the West Indies; France, Germany, Italy and Spain (notably the Spanish Civil War); and the former Soviet Union. A substantial proportion of material in the collection was published in very small quantities, and some is scarce.
In order to promote the collection, the cataloguing of which is still ongoing, a selection of the most striking pamphlet covers have been digitised, and made available on a new web resource produced by the IHR Digital team (http://www.history.ac.uk/exhibitions/heislercollection/). Where possible contextual information about the pamphlets, and the issues they cover, has been provided.
The resource aims to give an example of the treasure trove of material that lies within the collection, to illustrate how ephemera can perform as unique type of historical source material, and to act as an introduction to the wider Senate House Library Radical Voices project. Over the next year, under the Radical Voices umbrella, SHL plans to produce a series of events and resources centring around its various collections in this area – including the Grote library, the books and papers of pacifist Caroline Playne, the archive of Afro-Trinidadian journalist, activist and historian C. L. R. James, the Booth library, and many more – as well as drawing in other similar collections from across London.
Anyone interested in finding out more about this resource, or the Heisler collection, can contact email@example.com.
We start with Noel Thompson’s Social Opulence and Private Restraint: the Consumer in British Socialist Thought Since 1800, as Jamie Melrose and the author debate a survey of the Left’s attitude to the worker-consumer in the heyday and beyond of British industrial society (no. 1919, with response here).
Next up we have a review article on The Other Mrs Adams, as Todd Webb reviews five biographies of Louisa Catherine Adams (no. 1918).
Then we turn to Challenging Orthodoxies: The Social and Cultural Worlds of Early Modern Women: Essays Presented to Hilda L. Smith, edited by Sigrun Haude and Melinda Zook, which Charmian Mansell praises as an important book that both celebrates and builds upon the work of Hilda Smith (no. 1917).
Finally Peter Grant and editors Maggie Andrews and Janis Lomas discuss The Home Front in Britain: Images, Myths and Forgotten Experiences since 1914, a wide-ranging survey which challenges some of the misconceptions we hold about the two home fronts (no. 1916, with response here).
We begin this week with The Oxford History of Poland-Lithuania. Volume 1: The Making of the Polish-Lithuanian Union, 1385-1569 by Robert Frost. Paul Knoll and the author debate an outstanding contribution to the history of east central Europe (no. 1915, with response here).
Then we turn to Jessica Lepler’s The Many Panics of 1837: People, Politics, and the Creation of a Transatlantic Financial Crisis, and Joanna Cohen praises a book which utilises a new approach to the history of capitalism, interrogating economic concepts as cultural and linguistic constructions (no. 1914).
Next up is Weeping Britannia: Portrait of a Nation in Tears by Thomas Dixon. Hannah Rose Woods and the author discuss a book which sets out to dispel the ‘persistent myth’ of Britain as a nation of emotionally repressed stoics (no. 1913, with response here).
Finally Pip Gregory reviews Humor, Entertainment, and Popular Culture during World War I, edited by Clémentine Tholas-Disset and Karen A. Ritzenhoff, which she finds a thoroughly enjoyable book offering insight and interest for cultural historians of the Great War the world over (no. 1912).
Although Samuel Foote and Ira Aldridge may seem an improbable pairing, both have featured in recent plays on the London stage. Foote, an eighteenth-century actor and playwright, is portrayed in Mr Foote’s Other Leg, played by Simon Russell Beale, while Ira Aldridge, the nineteenth-century African-American actor, appears in Red Velvet played by Adrian Lester.
Scene from Taste in a painting by Robert Smirke. Lady Pentweazel, played by Foote.
Both had dramatic lives to equal any play. Strangely, both performed Othello, Foote in 1744 to “universal applause” (although the run itself was ultimately unsuccessful), while 90 years later Aldridge made his West End debut in the same play to a favourable audience response but hostile press reaction. Foote went on to develop his own acting company and penned his own satires mocking the society of the day, fellow actors and the craze for auctions and the arts and antiquities market. His satirical and, not so subtle, attacks on society were to end in trouble when he crossed swords with Elizabeth Chudleigh, duchess of Kingston, during her trial for bigamy. The play, Mr Foote’s Other Leg, is an ironic reference to the loss of a leg after a horse riding accident. Undeterred, Foote continued to act and used two wooden legs; one a simple leg, the other decorated with a silk stocking and buckled shoe (for use on stage). Published rumours of homosexuality, followed by a charge from one of his servants in similar vein, wrecked his spirit. Though cleared of all charges he was to die soon after.
Ira Aldridge as Aaron in Shakespeare’s Titus Andronicus.
Aldridge, born in New York City, moved to England in 1824, and in the following year he made his stage debut in The Revolt of Surinam, or, A Slave’s Revenge, playing Oronooko. After the failure of his 1833 Othello he toured much of Europe, returning to Britain to a much more respectful press. He died in Poland, while on tour, in 1867.
Both actors are represented in BBIH, coincidently with 16 references each.
Despite the danger of becoming a mere plugger for the London theatre scene, I can’t help but note that a play about the life of actress and royal mistress, Nell Gwynn, is also appearing on the London stage, so it may be that another post on actresses in the British theatre beckons.
We begin with Churchill on the Far East in the Second World War: Hiding the History of the ‘Special Relationship’ by Cat Wilson, which Chandar Sundaram believes to be an excellent treatment of Churchill’s historical sleight of hand (no. 1911, with response here).
Then we turn to Irene Morra’s Britishness, Popular Music and National Identity: the Making of Modern Britain. Paul Martin believes anyone with an interest in popular music and culture or the mores of identity should find this a rewarding and convincing read (no. 1910).
Next up is Shakhar Rahav’s The Rise of Political Intellectuals in Modern China: May Fourth Societies and the Roots of Mass-Party Politics, as Chris Courtney and the author debate a thought provoking and original analysis, a valuable addition to both Chinese and intellectual history (no. 1909, with response here).
Finally we have Addressing America: George Washington’s Farewell and the Making of National Culture, Politics, and Diplomacy, 1796-1852 by Jeffrey J. Malanson. Steve Tuffnell and the author discuss a volume which will be vital reading for those interested in American conceptions of their republic’s role in international affairs (no. 1908, with response here).
We begin this week with Russia in the Microphone Age: A History of Soviet Radio, 1919-1970 by Stephen Lovell, as Allan Jones and the author debate an engrossing history of Soviet broadcasting (no. 1907, with response here).
Next up is Angela Woollacott’s Settler Society in the Australian Colonies: Self-Government and Imperial Culture. Bernard Attard and the author discuss a stimulating and thought-provoking study of the nature and dynamics of settler colonialism (no. 1906, with response here).
Then we turn to Germany 1916-23: A Revolution in Context, edited by Klaus Weinhauer, Anthony McElligott and Kirsten Heinsohn. Alex Burkhardt believes the editors have fulfilled their brief to provide an impetus for new ‘cultural-historical’ directions in research on the German Revolution (no. 1905).
Finally we have E. R. Truitt’s Medieval Robots: Mechanism, Magic, Nature, and Art, which Stefano Gulizia praises as an evocative book, the first survey of its kind in the English-speaking academic world (no. 1904).
The theme of graffiti seems to be a popular topic of late, and a search on the Bibliography reveals the interesting array of material that has been published recently. The term ‘graffiti’ often has negative connotations in our modern society as an act of vandalism, but the OED definition of a graffito is ‘a drawing or writing scratched on a wall or other surface’, and, as the following resources show, represent a number of different purposes.
A book chapter inEngland and Rome in the Early Middle Ages titled Anglo-Saxons Underground: Early Medieval Graffiti in the Catacombs of Rome explores the Anglo-Saxon trend of pilgrimage to the sacred burial tombs of the early Christian martyrs. As the catacombs of Rome were manipulated architecturally and visually to accommodate ever-increasing numbers of worshippers, pilgrims added their own marks by way of graffiti; creating an eternal link between themselves and the saint, long after they had returned to their homeland. From the four hundred or so medieval inscriptions identified, twenty-six Anglo-Saxon names have so far been recorded, including one female name. The names have been written in an uncial script with insular letter forms (four in runic letters), suggesting they were etched between the 7th-9th century. In the catacombs of Commodilla, twelve Anglo-Saxon inscriptions have been found grouped together on the fresco of St Luke, suggesting a band of English pilgrims travelling en masse. In the tombs of SS Marcellinus and Peter, the female name Fagihild was found written in runic letters among ten Anglo-Saxon names. From sources such as theThe English Correspondence of Saint Boniface, it is clear that women often made pilgrimages to Rome, yet it is still satisfying to find physical evidence of Anglo-Saxon women travelling alongside their male peers. Further analysis is required to discern whether the name was inscribed by the woman herself or by a companion, raising further questions of literacy amongst women in this period
However, not all acts of inscription had a spiritual purpose. The book chapter Amiatinus in Italy : The Afterlife of an Anglo-Saxon Book in Anglo-Saxon England and the Continent charts the story of the Codex Amiatinus, a vulgate bible created in Wearmouth-Jarrow under the abbacy of Ceolfrith in the eighth century. Intended as a gift for Pope Gregory II, the codex disappeared shortly after Ceolfrith’s death en route. The huge manuscript, measuring almost twenty inches high, re-emerged in the ninth century in an abbey in Tuscany. Close scrutiny of the dedication page in the Amiatinus has revealed that the original name ‘Ceolfrith of the English’ was deliberately erased, and replaced with ‘Peter of the Lombards’, concealing its Anglo-Saxon origins for centuries (pictured left, click to enlarge).
Medieval graffiti in churches has inspired much academic interest of late, with the Norfolk Medieval Graffiti Survey documenting a growing corpus of inscriptions that have formed the basis of several articles. Matthew Champion has produced an abundance of material, such as Medieval Graffiti : the Lost Voices of Britain’s Churches, The Graffiti Inscriptions of St Mary’s Church, Troston and Medieval Ship Graffiti in English Churches : Interpretation and Function. The ship motif features significantly in medieval churches and is explored further in Graffiti and Devotion in Three Maritime Churches. While it is clear that these etchings have an apotropaic function, serving as a symbol to avert evil, these marks are open to multiple interpretations. Are they requesting protection for or giving thanks for a safe voyage? Could they be associated with a maritime guild? Churches are intrinsically linked to the nautical world, with the word ‘nave’ coming from the Latin word ‘navis’ meaning ship, which may go some way to explain why so many ship images appear in churches so far inland. To modern tastes, the act of carving a personal image (particularly in a church) may seem like an act of vandalism, but to medieval thinking it was an act of piety; a way of interacting with very fabric of the church. This is demonstrated in primary sources such as The Life of Christina of Markyate, where Christina is recorded as scratching the sign of the cross on a monastery door with her fingernails to mark her devotion to the church.
While most graffiti in churches serves as an act of piety, there is a dark side. The article Ill Wishing on the Walls: the Medieval Graffiti Curses of Norwich Cathedral highlights three inscriptions found in different locations in the cathedral, written in pre-reformation script with inverted lettering. Of the three inscriptions, one is particularly well preserved, clearly spelling the name ‘Keynfford’ upside down and back-to-front, with an astrological symbol underneath (See NMGS image 37). Whilst examples of book curses from this period have been well documented, curses in churches may prove an interesting new area of research.
Book Destruction from the Medieval to the Contemporarycontains an extremely entertaining chapter titled Belligerent Literacy, Bookplates, and Graffiti: Dorothy Helbarton’s Book, concerning a 16th-century text of the Brut Chronicle, with the interesting addition of more than 60 marginal inscriptions bearing the name Dorothy Helbarton. While marginalia or glosses were considered helpful additions to the understanding of texts, as in the C version of Piers Plowman pictured on the right, in this instance the scrawling of Dorothy (or rather her scribe), seems to be an aggressive act of declaring ownership, with little interest in the textual material.
Moving on from early modern times, Graffiti of British Ships at La Aljaferia Castle details the intricate inscriptions left behind by prisoners of the Napoleonic Wars on the walls were they were held captive, and Gendered Graffiti at Kilmainham discusses the graffiti left by the women prisoners during the Irish Civil War. Words and phrases of nationalist sentiments were feminised by the women to represent their involvement, and perhaps as a way of avoiding being airbrushed out of the historical narrative. Finally, ‘Hitler Loves Musso’, and Other Civilian Wartime Sentiments : the Archaeology of Second World War Air-Raid Shelters and their Graffiti in Beyond the Dead Horizon: Studies in Modern Conflict Archaeology gives an insight into how air-raid shelters served as communal places to while away the time during the bombings; amongst the anti-Hitler daubings, there are drawings of Disney characters, mathematical sums for children and games of noughts and crosses.
Through all of these resources, what is notable is that while graffiti marks serve a wide and varied purpose, they also represent the often unrecorded story of the ordinary people, who may have been illiterate or poor, but have nevertheless made their voice heard through the scratchings on a surface. For a comprehensive list of all resources available, please visit the Bibliography of British and Irish History.