Henry’s reign began inauspiciously. He was crowned on 28 October 1216 in some haste at Gloucester Abbey. The coronation was overseen by the papal legate and Henry was anointed by the bishops of Worcester, Winchester and Exeter; the archbishops of Canterbury and York being unavailable. The royal crown had gone missing and he was crowned with his mother’s circlet. All this in the midst of the Barons’ War caused by his father the “bad” king John. To reinforce his royal authority he had a second coronation in 1220.
Henry III’s coronation (Cotton Vitellius A. XIII) Wikipedia
“Henry’s capacity to play for very high stakes, and yet lose, was truly remarkable”
His reign was to end just as inauspiciously. His claims to the lost Angevin empire were renounced by the treaty of Paris (1259), factional court fighting and another baronial revolt led to yet another civil war. Though the war was won by Henry the last years of his reign were marred by fears of further rebellion.
The online publication of the Henry III Fine Rolls has opened a new episode in research on Henry as well as the politics, government, local-central relations, law, relations with Wales and Ireland and society in general – an episode well documented in The Growth of Royal Government under Henry III which uses the Rolls to offer new interpretations of the reign.
An update to the Bibliography of British and Irish History was published on 30 September. There are 4,962 new records, some 633 new records relate to Irish history while 240 deal with the history of London, 324 with the history of Scotland and 262 with the history of Wales. The overall total of records available online is now 579,638.
We are pleased to welcome a new section editor to our editorial team, Dr Colin Veach Lecturer in Medieval History at the University of Hull, who will be dealing with Irish history to c. 1640. He succeeds Dr Beth Hartland, for whose expert help over the last few years we are very grateful.
We also welcome Dr Adam Chapman, Editor and Training Co-ordinator with the Victoria County History based at the IHR, who will be dealing with England 1066-1500.
We expect to release the next update in February 2017. You can always find out more about the Bibliography at http://www.history.ac.uk/projects/bbih or, if you already have access to the Bibliography, you can sign up for email alerts so as to be notified each time the Bibliography is updated with records on a subject or subjects of your choice.
“Have you seen the Big Push films?” wrote Roland Mountford to his father in August 1916. Mountford was referring to The Battle of the Somme film. We are not certain that his father did see the film as we don’t have the reply, however it is more than likely that he did it as it’s estimated over 20 million viewed it. Reaction to the film was often divided.
“Crowds of Londoners feels no scruple at feasting their eyes on pictures which present the passion and death of British soldiers in the Battle of the Somme … a “film” of war’s hideous tragedy is welcomed. I beg leave respectfully to enter a protest against an entertainment which wounds the hearts and violates the very sanctities of bereavement.” (The Dean of Durham letter to The Times).
“We went on Wednesday night to a private view of the ‘Somme films’ i.e. the pictures taken during the recent fighting. To say that one enjoyed them would be untrue; but I am glad I went. I am glad I have seen the sort of thing our men have to go through, even to the sortie from the trench, and the falling in the barbed wire. There were pictures too of the battlefield after the fight, & of our gallant men lying all crumpled up & helpless. There were pictures of men mortally wounded being carried out of the communication trenches, with the look of agony on their faces.” (Frances Stevenson – David Lloyd George’s secretary).
To expand the search to Film and all World War I click on the Refine search button…
…and replace “Battles, Somme 1916″ with “Wars, World War I” for an overview of references to the war and film which includes cinema going, propaganda, representation of the war, and moral panics. Alternatively, delete the term “Film” and see the results for “Battles, Somme 1916″.
Film and World War I (Click to enlarge)
Battle of the Somme (Click to enlarge)
I’ll leave the final comments to Lt. Cyril Catford and his letter of 25 September 1916 held by the Durham County Record Office.
Surely truth is stranger than fiction!! Last night I had a most excellent sleep in No Mans Land, during a fairly heavy bombardment such as is practically continuous in this the greatest battle of the War!! … There is very little to say about this big show except the Artillery is awful and the flies are worse, whilst conditions of living are worse still. All the same we are exceptionally cheerful. We bear everything I hope like good soldiers proud to have beaten thoroughly the reputed “Invincible German Army”. The men are absolutely wonderful. My Company are in the best of spirit. I think you might send out 1000 Woodbines [cigarettes] for them.
Lt. Catford was to die 10 days later, he was 26 years old.
You can’t help avoiding Shakespeare and the celebrations for the 400th anniversary of his death, especially when entering Senate House and its ceremonial staircase. Each morning I am greeted by the playwright’s staring eyes and, each morning, I think I ought to write a post. So here goes.
Knowing I loved my books, he furnished me / From mine own library with volumes that / I prize above my dukedom.
Senate House Shakespeare celebration
Shakespeare has 1860 references on BBIH, surpassing Elizabeth I (1158 references), Winston Churchill (1273) and Geoffrey Chaucer (650). But, as I alluded to in my title, there is more to Shakespeare than drama.
A Person as subject search for “Shakespeare, William, 1564-1616″ brings up the aforementioned 1860 references. However if I add in Subject tree “Representations of politics” there are over 200 references.
Anne, Countess of Pembroke (Lady Anne Clifford) by William Larkin, oil on panel, circa 1618
This post has kindly been written for us by IHR Digital intern Katherine Cassidy.
As a history undergraduate endeavouring to write my dissertation, Connected Histories has been a vastly useful resource for conducting my primary source research. In short, the website has collated a number of major digital resources regarding documents dating from the early modern to 20th century Britain and put them in one place. These sources include large databases such as the Victoria County History and British Newspapers 1600-1900. For students like me – who may have never conducted historical research to the scope required for a dissertation – it provides a convenient starting point to build up material and knowledge.
My research specifically centres on the autobiographical writing of sixteenth and seventeenth century women and their concepts of self-identity, in the hope that looking at the writing of these women would provide us with greater insight of the perceived role of women in the larger early modern society. Fortunately, Connected Histories has a wealth of resources related to this period. Researching for specific people within a large dataset can sometimes prove difficult, especially when the person is relatively obscure or hasn’t left behind a large volume of records. The search features provided on Connected Histories can help with issues like this through the ability to refine your search in order to narrow your results and find the documents required. This allows you to filter your results by date, source types, resource and access.
However, it is important that when researching through Connected Histories, you bear in mind the type of sources you are looking for, this is particularly crucial when looking for individuals. Take my research of the seventeenth century heiress Lady Anne Clifford as an example; when searching ‘Anne Clifford’ in Connected Histories, most of the results that appear relate directly to the individual I am looking for. However, under the Proceedings of the Old Bailey Online results, a different Anne Clifford is on trial in the Old Bailey accused of grand larceny and ultimately sentenced to seven years transportation. The high born Anne Clifford I am searching for would most certainly not be found in a London court accused of theft, so in this instance it is easy to dismiss the result. However, this shows it is importance to consider the context of these documents to ensure that the subject of the document is actually the right person.
Ultimately, Connected Histories is a fantastic resource for historical research, especially for those with an interest in early modern England. It has certainly provided my own research with new lines of enquiry which I would have previously not considered, such as the VCH’s historic maps and information, which provide greater context of the surroundings in which my subjects lived.
An update to the Bibliography of British and Irish History was published on 9 June 2016. There are 3,762 new records, some 486 new records relate to Irish history while 147 deal with the history of London, 237 with the history of Scotland and 112 with the history of Wales. The overall total of records available online is now 574,494.
We usually list the number of new records for each update and we thought it would be interesting to plot the number of publications over the course of the history of the Bibliography (1909-present). This is the resultant graph. Note the small dip for the First World War and the more significant dip during the Second World War. There is a post-war peak and then the seemingly inexorable rise in publishing.
Click on the graph for a more detailed view.
The data was compiled by simply searching on the Advanced Search and the Year of publication field.
We expect the next update to be released in October 2016.
Although Samuel Foote and Ira Aldridge may seem an improbable pairing, both have featured in recent plays on the London stage. Foote, an eighteenth-century actor and playwright, is portrayed in Mr Foote’s Other Leg, played by Simon Russell Beale, while Ira Aldridge, the nineteenth-century African-American actor, appears in Red Velvet played by Adrian Lester.
Scene from Taste in a painting by Robert Smirke. Lady Pentweazel, played by Foote.
Both had dramatic lives to equal any play. Strangely, both performed Othello, Foote in 1744 to “universal applause” (although the run itself was ultimately unsuccessful), while 90 years later Aldridge made his West End debut in the same play to a favourable audience response but hostile press reaction. Foote went on to develop his own acting company and penned his own satires mocking the society of the day, fellow actors and the craze for auctions and the arts and antiquities market. His satirical and, not so subtle, attacks on society were to end in trouble when he crossed swords with Elizabeth Chudleigh, duchess of Kingston, during her trial for bigamy. The play, Mr Foote’s Other Leg, is an ironic reference to the loss of a leg after a horse riding accident. Undeterred, Foote continued to act and used two wooden legs; one a simple leg, the other decorated with a silk stocking and buckled shoe (for use on stage). Published rumours of homosexuality, followed by a charge from one of his servants in similar vein, wrecked his spirit. Though cleared of all charges he was to die soon after.
Ira Aldridge as Aaron in Shakespeare’s Titus Andronicus.
Aldridge, born in New York City, moved to England in 1824, and in the following year he made his stage debut in The Revolt of Surinam, or, A Slave’s Revenge, playing Oronooko. After the failure of his 1833 Othello he toured much of Europe, returning to Britain to a much more respectful press. He died in Poland, while on tour, in 1867.
Both actors are represented in BBIH, coincidently with 16 references each. Using the Person as subjectserach.
Despite the danger of becoming a mere plugger for the London theatre scene, I can’t help but note that a play about the life of actress and royal mistress, Nell Gwynn, is also appearing on the London stage, so it may be that another post on actresses in the British theatre beckons.
An update to the Bibliography of British and Irish History was published on 23 February 2016. 4968 new records have been added. Some 633 new records relate to Irish history while 238 deal with the history of London, 325 with the history of Scotland and 262 with the history of Wales. The overall total of records available online is 570,747.
As most users know searches can be conducted through the Subject tree on Advanced search. Users can drill down the subject hierarchy to search for terms that interest them. After user feedback and discussion we decided that “Miscellaneous terms” included too many terms and have added two broader terms. “Materials” which contains, amongst other terms, Ceramics, Fuel, Leather, Metals, Stone and Textiles, while “Other major themes” includes Cultural relations, Emotions and mental states, War, impact of and Women.
In previous posts I have alluded to the range of material gathered for BBIH, a range that sometimes creates a sense of déjà vu with similar or complementary articles. The following are recent examples.
I start with three articles all about clerks and shop workers; two of which feature H. G. Wells, himself once a draper’s assistant. Nicholas Bishop uses the works of Wells, Arnold Bennett and Shan Bullock to discuss “clerical literature” in Ruralism, Masculinity, and National Identity: The Rambling Clerk in Fiction, 1900–1940. This article argues that urban-dwelling clerks were pioneers in developing an interest in getting “back to the land” and the rural “idyll.”
Deborah Wynne continues the draper’s assistant theme, and the use of Wells, with The ‘Despised Trade’ in Textiles: H. G. Wells, William Paine, Charles Cavers and the Male Draper’s Life, 1870–1914 which examines the situation of the male draper in terms of his relationships to textiles and the female customers. Using the aforementioned accounts, the ridicule levelled against men is highlighted. The accounts used are, H. G. Wells’s discussion of his years as a draper’s apprentice in his Experiment in Autobiography (1934); William Paine’s emotionally charged title Shop Slavery and Emancipation (1912); and the diary of a Bond Street draper, Charles Cavers, posthumously published, and wonderfully entitled, Hades! The Ladies! Being Extracts from the Diary of a Draper (1933). Cavers, a draper’s assistant from the 1870s and then a successful owner of a Bond Street emporium, paints a more positive picture than Wells or Paine, although he used the exclamation ‘Hades! The ladies!’ when his wealthy female customers were being difficult to please.
And speaking of “ladies”…. although these first two articles refer to male workers and focus on masculinity, Ella Ophir presents the journal of Evelyn Wilson, an impoverished employment registry clerk in London. Wilson kept her diary for over 20 years and, after her death, it was published in 1935 under the melancholy title of The Note Books of a Woman Alone. The article The Diary and the Commonplace Book: Self-Inscription in The Note Books of a Woman Aloneuses the diary extensively.
Continuing the police theme, David Taylor in his Cass, Coverdale and consent the Metropolitan Police and working-class women in late-Victorian London focusses on the treatment of two working-class women by the Metropolitan Police in 1887. Elizabeth Cass was arrested for soliciting in Regent’s Street while Annie Coverdale was arrested for being drunk and disorderly. Both were working class: Cass a dressmaker in Holborn and Coverdale a domestic servant in Canning Town. The two arresting constables were dishonest in their evidence but both remained policemen despite newspaper agitation and parliamentary condemnation. As Taylor points out the mistreatment of these two women was not unique at the time.
Two articles on the Foundling Hospital established by Thomas Coram examine the use of tokens at the orphanage. The tokens ranged from bits of cloth to coins and jewellery, as well as actual copper or pewter tokens detailing the name and admission of the child. In Gillian Clark and Janette Bright’s article The Foundling Hospital and its Token System the authors look at the array of objects used as tokens in case the family wished to reclaim their abandoned child. while Maria Zytaruk in her article, Artifacts of Elegy: The Foundling Hospital Tokens, explores similar territory, and makes the depressing point that the token could also be used to guard against a charge of infanticide.
The Foundling Hospital (Wellcome Library http://wellcomeimages.org/indexplus/image/V0013443.html)
The Foundling Hospital is well served by the Bibliography, there are nearly 60 references ranging from histories of the hospital to Handel’s connection to the charity, as well as an autobiography of a foundling – The Last Foundling : The Memoir of an Underdog (see listing below).
I usually get my ideas for posts about BBIH and its contents from external sources and recently received two such prompts. The Guardian ran an article on the teaching of black history where the questions, Did black immigrants come through Ellis Island? Were there black cowboys? Where did the free black men in New Amsterdam live? were asked and the author felt that black history (in an American context) was confined to slavery, the American Civil War and the Civil Rights Movement. This article was followed by another, from a British perspective which argued for a different approach to black history.
Quite by chance a number of articles and books came to my attention, hopefully offering examples of these different approaches.
While not covering black cowboys, and certainly straying into slavery territory, the biography, The Road to Black Ned’s Forge: A Story of Race, Sex, and Trade on the Colonial American Frontier, introduces Ned Tarr, a blacksmith and landowner in Virginia. Tarr purchased his freedom and moved to Virginia setting up a blacksmith business and became the first black landowner west of the Blue Ridge. He married a Scottish woman, an interracial relationship that seems to have been accepted by his neighbours, and went on to found a Presbyterian congregation. However his late master’s son attempted to re-enslave him and Tarr had to defend his freedom in court.
Moving to the middle of the eighteenth century, a shift in the artistic representation of black people became perceptible in England: a theme explored in Bridging the Gap between Self and Other? Pictorial Representation of Blacks in England. The examples used are, Thomas Gainsborough’s portrait of Ignatius Sancho (1768), Joseph Wright of Derby’s Two Girls with a Black Servant or A Conversation of Girls (1769), Sir Joshua Reynolds’s Omai (1776), and John Singleton Copley’s Watson and the Shark (1778). Gainsborough’s portrait of Ignatius Sancho shows a gentleman as well as a man of feeling, while Wright of Derby’s Two Girls with a Black Servant hints at a possible equality between the children.
While demonstrating Connected Histories to some students I happened upon the Old Bailey online entry for JOHN MARTIN “(a negro) was indicted for stealing two cloth coats…” and other clothes from “…the property of John Turnbull, in his dwelling-house, May the 18th .” 
What intrigued me was his punishment – “Transported for 7 Years to the Coast of Africa, 1. John Martin”, while others, presumably white criminals, were “-Transported for 7 years to America, 6. John Burgess, Joseph Barnsley, Ann Thomas, Thomas Winton , John White , and William Bradbury”. The intrigue is that Martin was sent to Africa and the others to America, itself in the throes of the War of Independence. How I wonder did Martin fare in Africa, a continent he may never have seen, and what would his life have been if he had been sent to the American Colonies, soon to be the USA – would he have escaped and been free or enslaved?
Taking us up to the present are a number of books and an article. “Black Migrants, White Queers and the Archive of Inclusion in Postwar London” examines the historical concurrence of West Indian migration to Britain and the increase in discourses around British homosexuality in the 1950s and 60s, using, amongst other sources, an oral history by a gay Jamaican dancer who migrated to London in 1948.