Although Samuel Foote and Ira Aldridge may seem an improbable pairing, both have featured in recent plays on the London stage. Foote, an eighteenth-century actor and playwright, is portrayed in Mr Foote’s Other Leg, played by Simon Russell Beale, while Ira Aldridge, the nineteenth-century African-American actor, appears in Red Velvet played by Adrian Lester.
Scene from Taste in a painting by Robert Smirke. Lady Pentweazel, played by Foote.
Both had dramatic lives to equal any play. Strangely, both performed Othello, Foote in 1744 to “universal applause” (although the run itself was ultimately unsuccessful), while 90 years later Aldridge made his West End debut in the same play to a favourable audience response but hostile press reaction. Foote went on to develop his own acting company and penned his own satires mocking the society of the day, fellow actors and the craze for auctions and the arts and antiquities market. His satirical and, not so subtle, attacks on society were to end in trouble when he crossed swords with Elizabeth Chudleigh, duchess of Kingston, during her trial for bigamy. The play, Mr Foote’s Other Leg, is an ironic reference to the loss of a leg after a horse riding accident. Undeterred, Foote continued to act and used two wooden legs; one a simple leg, the other decorated with a silk stocking and buckled shoe (for use on stage). Published rumours of homosexuality, followed by a charge from one of his servants in similar vein, wrecked his spirit. Though cleared of all charges he was to die soon after.
Ira Aldridge as Aaron in Shakespeare’s Titus Andronicus.
Aldridge, born in New York City, moved to England in 1824, and in the following year he made his stage debut in The Revolt of Surinam, or, A Slave’s Revenge, playing Oronooko. After the failure of his 1833 Othello he toured much of Europe, returning to Britain to a much more respectful press. He died in Poland, while on tour, in 1867.
Both actors are represented in BBIH, coincidently with 16 references each.
Despite the danger of becoming a mere plugger for the London theatre scene, I can’t help but note that a play about the life of actress and royal mistress, Nell Gwynn, is also appearing on the London stage, so it may be that another post on actresses in the British theatre beckons.
An update to the Bibliography of British and Irish History was published on 23 February 2016. 4968 new records have been added. Some 633 new records relate to Irish history while 238 deal with the history of London, 325 with the history of Scotland and 262 with the history of Wales. The overall total of records available online is 570,747.
As most users know searches can be conducted through the Subject tree on Advanced search. Users can drill down the subject hierarchy to search for terms that interest them. After user feedback and discussion we decided that “Miscellaneous terms” included too many terms and have added two broader terms. “Materials” which contains, amongst other terms, Ceramics, Fuel, Leather, Metals, Stone and Textiles, while “Other major themes” includes Cultural relations, Emotions and mental states, War, impact of and Women.
In previous posts I have alluded to the range of material gathered for BBIH, a range that sometimes creates a sense of déjà vu with similar or complementary articles. The following are recent examples.
I start with three articles all about clerks and shop workers; two of which feature H. G. Wells, himself once a draper’s assistant. Nicholas Bishop uses the works of Wells, Arnold Bennett and Shan Bullock to discuss “clerical literature” in Ruralism, Masculinity, and National Identity: The Rambling Clerk in Fiction, 1900–1940. This article argues that urban-dwelling clerks were pioneers in developing an interest in getting “back to the land” and the rural “idyll.”
Deborah Wynne continues the draper’s assistant theme, and the use of Wells, with The ‘Despised Trade’ in Textiles: H. G. Wells, William Paine, Charles Cavers and the Male Draper’s Life, 1870–1914 which examines the situation of the male draper in terms of his relationships to textiles and the female customers. Using the aforementioned accounts, the ridicule levelled against men is highlighted. The accounts used are, H. G. Wells’s discussion of his years as a draper’s apprentice in his Experiment in Autobiography (1934); William Paine’s emotionally charged title Shop Slavery and Emancipation (1912); and the diary of a Bond Street draper, Charles Cavers, posthumously published, and wonderfully entitled, Hades! The Ladies! Being Extracts from the Diary of a Draper (1933). Cavers, a draper’s assistant from the 1870s and then a successful owner of a Bond Street emporium, paints a more positive picture than Wells or Paine, although he used the exclamation ‘Hades! The ladies!’ when his wealthy female customers were being difficult to please.
And speaking of “ladies”…. although these first two articles refer to male workers and focus on masculinity, Ella Ophir presents the journal of Evelyn Wilson, an impoverished employment registry clerk in London. Wilson kept her diary for over 20 years and, after her death, it was published in 1935 under the melancholy title of The Note Books of a Woman Alone. The article The Diary and the Commonplace Book: Self-Inscription in The Note Books of a Woman Aloneuses the diary extensively.
Continuing the police theme, David Taylor in his Cass, Coverdale and consent the Metropolitan Police and working-class women in late-Victorian London focusses on the treatment of two working-class women by the Metropolitan Police in 1887. Elizabeth Cass was arrested for soliciting in Regent’s Street while Annie Coverdale was arrested for being drunk and disorderly. Both were working class: Cass a dressmaker in Holborn and Coverdale a domestic servant in Canning Town. The two arresting constables were dishonest in their evidence but both remained policemen despite newspaper agitation and parliamentary condemnation. As Taylor points out the mistreatment of these two women was not unique at the time.
Two articles on the Foundling Hospital established by Thomas Coram examine the use of tokens at the orphanage. The tokens ranged from bits of cloth to coins and jewellery, as well as actual copper or pewter tokens detailing the name and admission of the child. In Gillian Clark and Janette Bright’s article The Foundling Hospital and its Token System the authors look at the array of objects used as tokens in case the family wished to reclaim their abandoned child. while Maria Zytaruk in her article, Artifacts of Elegy: The Foundling Hospital Tokens, explores similar territory, and makes the depressing point that the token could also be used to guard against a charge of infanticide.
The Foundling Hospital (Wellcome Library http://wellcomeimages.org/indexplus/image/V0013443.html)
The Foundling Hospital is well served by the Bibliography, there are nearly 60 references ranging from histories of the hospital to Handel’s connection to the charity, as well as an autobiography of a foundling – The Last Foundling : The Memoir of an Underdog (see listing below).
I usually get my ideas for posts about BBIH and its contents from external sources and recently received two such prompts. The Guardian ran an article on the teaching of black history where the questions, Did black immigrants come through Ellis Island? Were there black cowboys? Where did the free black men in New Amsterdam live? were asked and the author felt that black history (in an American context) was confined to slavery, the American Civil War and the Civil Rights Movement. This article was followed by another, from a British perspective which argued for a different approach to black history.
Quite by chance a number of articles and books came to my attention, hopefully offering examples of these different approaches.
While not covering black cowboys, and certainly straying into slavery territory, the biography, The Road to Black Ned’s Forge: A Story of Race, Sex, and Trade on the Colonial American Frontier, introduces Ned Tarr, a blacksmith and landowner in Virginia. Tarr purchased his freedom and moved to Virginia setting up a blacksmith business and became the first black landowner west of the Blue Ridge. He married a Scottish woman, an interracial relationship that seems to have been accepted by his neighbours, and went on to found a Presbyterian congregation. However his late master’s son attempted to re-enslave him and Tarr had to defend his freedom in court.
Moving to the middle of the eighteenth century, a shift in the artistic representation of black people became perceptible in England: a theme explored in Bridging the Gap between Self and Other? Pictorial Representation of Blacks in England. The examples used are, Thomas Gainsborough’s portrait of Ignatius Sancho (1768), Joseph Wright of Derby’s Two Girls with a Black Servant or A Conversation of Girls (1769), Sir Joshua Reynolds’s Omai (1776), and John Singleton Copley’s Watson and the Shark (1778). Gainsborough’s portrait of Ignatius Sancho shows a gentleman as well as a man of feeling, while Wright of Derby’s Two Girls with a Black Servant hints at a possible equality between the children.
While demonstrating Connected Histories to some students I happened upon the Old Bailey online entry for JOHN MARTIN “(a negro) was indicted for stealing two cloth coats…” and other clothes from “…the property of John Turnbull, in his dwelling-house, May the 18th .” 
What intrigued me was his punishment – “Transported for 7 Years to the Coast of Africa, 1. John Martin”, while others, presumably white criminals, were “-Transported for 7 years to America, 6. John Burgess, Joseph Barnsley, Ann Thomas, Thomas Winton , John White , and William Bradbury”. The intrigue is that Martin was sent to Africa and the others to America, itself in the throes of the War of Independence. How I wonder did Martin fare in Africa, a continent he may never have seen, and what would his life have been if he had been sent to the American Colonies, soon to be the USA – would he have escaped and been free or enslaved?
Taking us up to the present are a number of books and an article. “Black Migrants, White Queers and the Archive of Inclusion in Postwar London” examines the historical concurrence of West Indian migration to Britain and the increase in discourses around British homosexuality in the 1950s and 60s, using, amongst other sources, an oral history by a gay Jamaican dancer who migrated to London in 1948.
An update to the Bibliography of British and Irish History was published on 26 October. 3,868 new records have been added. Some 326 new records relate to Irish history while 174 deal with the history of London, 312 with the history of Scotland and 186 with the history of Wales. Titles on Welsh history include, for example, Welsh soldiers in the later Middle Ages, 1282-1422 by Adam Chapman and an article on Lloyd George’s diary for 1887 in the Transactions of the Caernarvonshire Historical Society. The overall total of records available online is 565,806.
We would like to thank people who have used the Feedback link on BBIH to provide us with additional information or new material. We are very grateful to our users for keeping us alert!
We expect the next update to be released in February 2016.
Bulldog soldiers’ and sailor’s club (from Wikipedia)
Naturally the anniversary of the start of the war to end all wars has created a plethora of special issues on the subject. What I have found engaging about these is the coverage of the not so obvious material. A prime example is Comparative Legal History, and its issue entitled The Great War and Private Law, which examines changes that occurred in law as a result of the legal and contractual demands necessitated by the conflict. Articles includes, ‘English Contract Law and the Great War: The Development of a Doctrine of Frustration’, and ‘The Great War and Dutch Contract Law: Resistance, Responsiveness and Neutrality’. The legal effects on Austria, Germany and Italy are also examined.
Another not so noticeable effect was in accounting, a subject discussed in Accounting History Review’s issue Accounting and the First World War. Changes in company and government accounting practices are discussed, as well as an increase in taxation on profits in Britain as the war economy developed. The impact of the Great War on the Blackpool Tower Company, in particular on profits and taxation, is also covered. Most intriguing are the accounting changes at the St. James’s Gate Brewery of Arthur Guinness, specifically revealing how additional war risk costs were accounted for internally.
Interestingly the British empire is well represented. The Canadian Historical Review and its issue Canada and the Great War: 100 years on, encompasses the historiography, commemoration and the effects on women and children. Another Canadian journal, Histoire Social/Social history (issue Canada’s First World War, 19140-2014 ) has sections on “Coping with Conflict” which includes the consequences on Canadian society at home and in the trenches; “Beyond Colony and Nation” looks at the USA-Canada border, and the influence of the war on race and gender are also examined.
YMCA Canadian Beaver Hut in London (from Wikipedia)
Naturally The Round Table has a special imperial issue entitled, The First World War and the Empire-Commonwealth. It too has an article on Cyprus’s non-military contribution to the war effort, while also examining Dominion soldiers’ cartoon satire in the trenches, the repatriation of Indian prisoners of war, and the emotional responses to the war by West Indian soldiers.
Imperialism and sport are combined in Anzac Centennial – Sport, War and Society in Australia and New Zealand, issued by The International Journal of the History of Sport. The poignant article, ‘Australasia’s 1912 Olympians and the Great War’, charts the stories of the Olympians who volunteered, four of whom did not return. Other areas covered are the rise of women’s football, and the role of sport for Australian prisoners of war in Turkey.
Moving from the imperial angle to the local angle, Midland History in its issue, The Midlands and the Great War covers the outbreak of war in the provincial press. Other articles include, ‘Patriotism in Nottinghamshire: Challenging the Unconvinced, 1914–1917′, ‘Burslem and Its Roll of Honour 1914–1918′, and ‘The Midlands’ First Blitz’.
Shifting to the cultural impact of the Great War, New Perspectives on the Cultural History of Britain and the Great War, from 20th Century British History covers the role of Irish and Indian soldiers and their self sacrifice, and the letters of the Sepoys and details of their emotions. The distribution of gas masks to civilians and the relationship between the understanding of the gas mask and British culture in general is also discussed.
An unlikely contender in the rundown of special issues includes the journal Shakespeare and its issue Shakespeare and the Great War. The debate surrounding the “cultural mobilization” of Shakespeare is explored, ranging from the reading by soldiers, the reception of the dramatist, the tercentary celebrations, and the “Shakespeare hut” set up in Bloomsbury for the entertainment of New Zealand soldiers.
An equally unlikely contender, and perhaps the most moving issue, given what was to happen twenty years later, is Rabbis and the Great War from European Judaism. The support, comfort and opposition to the war by various Rabbis in various countries is investigated. Sermons about the war by British Rabbi Morris Joseph at his west London Synagogue show his dismay at the war and his attempts not to glorify it.
The after effects of the end of hostilities on service personnel are studied in Journal of Contemporary History’s – The Limits of Demobilization: Global Perspectives on the Aftermath of the Great War. The demobilization of around 65 million was bound to create problems for all nations engaged in the struggle and how society dealt with these problems, their effects on national politics, and the “brutalization” factor are discussed with reference to Russia, central Europe, the USA and white settler colonies.
An update to the Bibliography of British and Irish History was published on 29 June. 3,460 new records have been added; over 2,000 of these are for publications of 2014-15. Some 400 new records relate to Irish history while 135 deal with the history of London and 251 with the history of Scotland. We continue to be grateful to the Scottish Historical Review Trust which supports a team based at St Andrews University, led by Dr Christine McGladdery, which assists in the collection of material relating to Scotland. The overall total of records available online is 561,976.
We expect to release the next update in October. You can always find out more about the Bibliography at http://www.history.ac.uk/projects/bbih or, if you already have access to the Bibliography, you can sign up for email alerts so as to be notified each time the Bibliography is updated with records on a subject or subjects of your choice.
My previous post on the range of history material being published opened with the early modern view of masculinity and men crying. Go back a couple of hundred years and it seems men were allowed to cry, and at least if you were a bishop, the act was deemed appropriate, usually in a religious sense, and of course if the crying was not seen as too ostentatious. As observed in Episcopal emotions: tears in the life of the medieval bishop, by Katherine Harvey, the significance of weeping in the life of the late medieval English bishop was key to perceptions of his masculinity, his sexuality as well as his physical body. Furthermore, the act had significant implications for his reputation both as a cleric and as a potential saint.
Returning to the weeping theme, Stephen Spencer, in The emotional rhetoric of crusader spirituality in the narratives of the First Crusade, analyses representations of fear and weeping in the Latin narratives and argues that emotional displays functioned as markers of crusader spirituality (rather like the weeping bishops above). He then explores depictions of weeping as an expression of piety, focusing specifically on tears shed over Jerusalem.
If you are interested in further tear duct activity, I’d recommend Crying in the middle ages: tears of history, which looks at the role of tears in Jewish, Christian, and Islamic cultural discourses covering the arts, preaching, literature (including Piers Plowman), and in the emotion of pilgrimage.
On a completely different theme, I was intrigued by two war-related articles. The first discusses Quaker peace activities prior to the World War I – “Edwardian peace testimony: British Quakers against militarism and conscription c. 1902-1914″, in Journal of the Friends Historical Society, 2010, vol. 61:1 p. 49-66. The second, Human Computing Practices and Patronage: Antiaircraft Ballistics and Tidal Calculations in First World War Britain, outlines the importance of mathematics and the work of Arthur Thomas Doodson, an intriguing scientific aspect of the conflict. As one can imagine a great deal has been written on the Great War largely in special issues of journals, indeed so much has been written I plan a blog covering those issues.
One of the joys, and tribulations, of working on BBIH is the amount of material that comes across my desk (or indeed desktop). Joy in that there is such a range of material, and tribulation in the amount! As an indication of the range of material, I’ll highlight a snapshot of articles that I have come across recently.
The title, Crying in the colonies: The bellmen of early Australia, did not cover the emotional sensibility of the colonists but was a discussion on the use of the town crier, who made announcements, advertised sales, rallied people to political meetings, encouraged locals to attend events and performances as well as announcing the news of the day.
Oxford University Press has launched a monograph series Emotions in History, one of the books is entitled, Learning how to feel: Children’s Literature and Emotional Socialization, 1870-1970, which covers such feelings as trust, compassion, empathy, fear and piety, all charted through a particular literary character.
Expanding further on emotions, and combining it with piety, there is a special issue of German History entitled Feeling and Faith—Religious Emotions in German History, covering early German pietism, the expected behaviour of evangelists in Wilhelmine Germany, as well as the feminization of piety in interwar Germany.
According to John Johnston in Lost in time and space: Unrolling Egypt’s ancient dead (Journal of the Royal Institution of Cornwall, 2013, p. 7-22) the first unrolling of a mummy took place in 1698. Gabriel Moshenska charts the unrolling of mummies in nineteenth-century Britain, a popular spectacle which is also covered by Beverley Rogers in her chapter, Unwrapping the Past: Egyptian Mummies on Show from Popular exhibitions, science and showmanship, 1840-1910. Tomb raiders for mummies or other relics was not confined to the modern period, as Sean Lafferty outlines in Ad sanctitatem mortuorum: tomb raiders, body snatchers and relic hunters in late antiquity. This article charts the actions of tomb raiders despite punishment for such crimes. The increasing popularity of the cult of saints created a demand for such relics as objects of veneration, which in turn led to elaborate strategies of acquisition, including the exhumation, transporting, smuggling and dismembering of the dead. Taking us up to the modern scientific approach to mummies is an article, Augustus Bozzi Granville (1783-1872): Pioneer obstetrician and gynaecological surgeon. Granville performed the first scientific autopsy of an Egyptian mummy discovering, in the process, the oldest known ovarian tumour.
Best title must surely go to, The Sludge Question: The Regulation of Mine Tailings in Nineteenth-Century Victoria, by Susan Lawrence and Peter Davies. The “sludge” in question is the industrial waste from gold mining in Australia. The pollution was a significant environmental problem to an area dependent on gold mining for its economic prosperity. The article discusses the realisation of the environmental problem and the passage of legislation to resolve the issue over a fifty-year period.
My colleagues in the library have already blogged about History Day, however I thought I’d follow it up from the perspective of the Bibliography of British and Irish History (BBIH) as I’ve had a number of enquiries which I can address here.
After an outline of the history of the Bibliography and its coverage I usually emphasise three points:-
1. The Bibliography has links (where possible and where institutional subscriptions allow) to a variety of sources including to full text via doi (digital object identifier); online collections of journals such as JSTOR and Project Muse; links to publishers; and links to other digital resources such as the National Register of Archives and union catalogues (e.g. Copac).
2. The ability to set up email alerts for specific subjects or authors or places (or a combination). Users can easily set up an email alert by following the instructions. The email alerts can then be managed by clicking on the “My email alerts” on the banner of the homepage. It’s a simple and effective way of keeping informed about developments in your research area (you’ll get an update three times per year). As an example I have an email alert for subject keyword “Intelligence” and period covered “1880-1945”.
3. The ability to export data to a range of reference tools, such as Microsoft Word, RefWorks, Endnote and Zotero. Again there are online tutorials demonstrating how to use these tools.
Additionally from History Day, some useful tips were picked up from Paul Horsler (LSE) who discussed reference tools. He also made three key points. Use the reference manager as you start your research, you’ll become accustomed to it sooner and it will save a lot of time at the end of research. Choose a tool you feel comfortable with and one that is supported by your research institution (if in doubt, ask your librarian). And finally, as with all software, make sure you do backups – you don’t want to lose all that research.