Apologies for the delay in the weekly Reviews in History post – our Anglo-American Conference of Historians on ‘The Great War at Home’ started yesterday (check out the programme at http://anglo-american.history.ac.uk/files/2013/03/Anglo-American-conference-programme.pdf, or follow developments at #aach2014), and I was out all afternoon chairing a packed session on conscientious objectors and war resisters. Or ‘cranks’, if you’re Jeremy Paxman.
Anyway, to coincide with the conference, we’ll be publishing a series of reviews on related books, and our first batch are up today.
We begin with the Cambridge History of the First World War, edited by Jay Winter. Richard Grayson and the editor discuss a comprehensive, insightful and challenging collection, which can be considered an astonishing achievement (no. 1618, with response here)
Next up is Ross Davies’ ‘A Student in Arms': Donald Hankey and Edwardian Society at War. Stuart Bell and the author discuss a new book on one of the most enigmatic personalities to feature in the narrative of the Great War (no. 1617, with response here).
Then we turn to The Soldiers’ Press: Trench Journals in the First World War by Graham Seal, which Adrian Bingham believes provides the most comprehensive and detailed overview thus far of a fascinating genre (no. 1616).
Finally we have The Aesthetics of Loss: German Women’s Art during the First World War by Claudia Siebrecht. Ann Murray finds this book identifies and underscores the vital importance of women’s art to our greater understanding of the First World War (no. 1615).